Tag Archives: towers

Cottonwood Trees, Courthouse Wash

Cottonwood Trees, Courthouse Wash
Cottonwood Trees, Courthouse Wash

Cottonwood Trees, Courthouse Wash. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn cottonwood trees along Courthouse Wash and sandstone towers, Arches National Park

After a second visit to Arches National Park and a few days into that visit, I was beginning to be able to see past the main, iconic towers and arches and other sandstone structures. This takes a while. When visiting a new location, it is natural and, I think, even a good idea to go with the icons at least a bit. They are, as the saying goes, icons for a reason. While I cannot say that I’m yet close to knowing this park nearly as well as I would like to, on this morning I began to feel that I was beginning to see past the main features a bit more. (Though I confess that I did begin the day shooting one of those well know features.)

As we drove out on the main road, I quickly noticed the beautiful cottonwood fall colors down in the bottom of Courthouse Wash. Shortly after crossing a creek bed, we pulled over and I wandered off to photograph these trees. Before I finished here, I had tried a number of different approaches to the subject – shooting mixed brown and yellow leaves collected on the ground beneath them branches silhouetted against morning sky, and here the backlit trees with some of the characteristic red rock towers beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

La Sal Mountains, Evening

La Sal Mountains, Evening - Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah
Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

La Sal Mountains, Evening. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on sandstone towers of Arches National Park and on the distant La Sal Mountains, Utah

I was hoping to get up into the La Sal Mountains, in the Moab/Arches area, during this visit to Utah, but it didn’t quite happen. We had seen some aspen groves high on their slopes and thought they could make a good photographic subject, but we were twice stymied – well, once stymied and once we guessed wrong. The wrong guess came first. As we approached Moab late in the day from the south, we though we would turn off the main highway before reaching town and drive up there. However, a sign warning of construction and a road closure dissuaded us, so we turned around and continued to Moab. Later, thinking that if it was closed from the first route (and actually, it wasn’t) then there must be access from the alternative, we drove up the Colorado River Canyon and turned off to head up that way… only to encounter road construction! We could perhaps have continued on, but it was late in the day and we had not calculated this delay when guessing how long it might take to get up to the trees.

So, in the end, our views of the La Sal Mountains were from greater distances – from high on the plateau of Canyonlands National Park and from Arches National Park. On the day I made this photograph, the light had been “interesting” – a combination of blah, clouded-over light, with occasional bursts of beautiful light coming through breaks in the clouds. We had been out on the ridge near the end of the main park road and had really enjoyed those moments of wonderful light, but late in the day it looked like the breaks would end there, but that they might continue over near the section of the park where this photo was made. So we quickly got in the car and headed over that way. When we arrived, things did not look so promising. The large clouds that had begun to block the light earlier were also affecting this area. But there we were, and there wasn’t time to try to get to another location before the end of the day, so we headed up into this rocky area to see what might develop. From here, the La Sals were largely clear, with more sun than shadow on the face of the mountains. Even though there were clouds overhead at our position, they were increasingly broken as they led toward the mountains. Now all I needed was some evening light on the foreground rocks and I might have a photograph. I got my wish, with just a few brief moments of somewhat attenuated golden hour light on the rocks as the more intense light fell on the distant range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Approaching Storm, Monument Valley

Approaching Storm, Monument Valley - A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park
A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park

Approaching Storm, Monument Valley. Monument Valley Navajo Tribal Park, Arizona. October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park

Considering that we only passed through Monument Valley on a drive between two other locations and that we happened to arrive when a storm front was passing through, I have to consider myself lucky to have made any photographs of the location at all on this visit. We were on the long drive between Moab and Springdale, so we unfortunately could not afford to hang around long waiting for idea conditions – so I went ahead and shot in the “weather.”

Quite a few of the photographs were made in actual rain – as in, it was raining where I was shooting, or I was shooting into or through curtains for rain. However, the nature of this storm was that a line of weather would come through, there would be a bit of clearing, and then the next squall line would arrive. So between the bouts of rain there were some moments of sunshine, and the sunshine not only dried things out a bit but it also made the clouds more visible Here a very large cell was building over some of the iconic Monument Valley formations. I chose the vertical format and only included a bit of the solid ground so as to emphasize the size and height of the clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Towers and Sky

Towers and Sky
“Towers and Sky” — Two downtown San Francisco buildings and a patch of clear sky.

Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)

When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!

For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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