Tag Archives: travel

Eastern Sierra Stream, Smoky Light

Eastern Sierra Stream, Smoky Light
Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Eastern Sierra Stream, Smoky Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Recently I spent a few days in the Eastern Sierra, mainly to readapt to altitude before a potential backcountry trip. The plan was to car camp in some Forest Service campgrounds, take a few high-elevation hikes while laden with a full load of camera equipment, and to make some photographs. This photograph comes from a location that I’ve known for years, near the base of one of the trans-Sierra passes along the east side of the range. Late in the day I had noticed the interesting haze and remembered some meadows and stream side country a few miles away. So I headed that way just. before the sun dropped behind the Sierra crest and photographed straight into the late-day light.

Since I haven’t written about any recent Sierra trips lately, I’ll use this post as an excuse to share some observations about conditions. And, of course, this year “conditions” is hard to separate from the effects of heat and drought. On the positive side, some of the high country locations I visited were not (yet) as dry as I had feared. I saw green meadows, wildflowers, corn lily fields in full bloom, and some water. On the other hand, it is only the middle of July — the moisture levels looked more like what I’d expect to see in August. Aside from the early season wildfires and the smoke they spread, one of the most worrisome signs was in the foothills on the west side, where it looks like huge numbers of oak trees are turning brown and dying.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Surf, Sand, and Rocks

Surf, Sand, and Rocks
Rocky islands and peninsulas surround a small bay at a southern oregon beach.

Surf, Sand, and Rocks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands and peninsulas surround a small bay at a southern oregon beach.

This photograph is the partner of another from the same location that I posted recently. This spot is along the lower coast of Oregon, not too far above the northern California border. We had been visiting the California coastal redwoods in the upper part of the state, and we decided to make a day trip across the border and up that coast. We had no specific goal in mind — well, not beyond finding a place for breakfast along the way — so we just headed north to see what we would find.

We were not expecting to find any particular “icons,” we were freed to stop at whatever seemed interesting. I don’t know that name of these formation, and my only way of identifying them was to record a mileage marker along the route. The large stone features here stand in shallow water — in some places literally on the beach. I chose the vertical format for this photograph to emphasize the view across the beach and the little bay between the rocks, leading the eye to the distant horizon and fog bank.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wall of Redwoods

Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stolpersteine, Heidelberg

Stolpersteine, Heidelberg
Sidewalk memorials to the memory of German Jews who were victims the Holocaust.

Stolpersteine, Heidelberg. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sidewalk memorials to the memory of German Jews who were victims the Holocaust.

This photograph has been sitting on my computer for several months now, and I have been debating when and how to post it. It isn’t “the usual thing” for me to post, but there you go. I’m not an expert on the Stolpersteine (wikipedia says “literally ‘stumbling stone,” metaphorically ‘stumbling block’.”) so I’m relying on some material I have found online plus some context provided to me by people I know who live in the areas where they are found. (You can read more about them here, including some of the controversies about their installation.) In front of homes, shops, all kinds of buildings you fine these plates indicating that “Here lived…” a specific person who was deported or killed in the Holocaust, thus de-anonymizing the effects of that horror and tying it closely to places where people seem to live normal lives today.

One reason I have been thinking about the Stolpersteine is that here in the US we have been engaging in a (sometimes absurd) debate about how to best recognize and come to terms with very difficult and awful parts of the history of our great country, in particular the enslavement of Africans and the long and ongoing oppression of people of color. An element of this has been the call to remove monuments to slavers and traitors who fought a war agains this country. The counter cry is “Don’t take our history away.” The history should, of course, remain and be readily visible and available. But glorifying the perpetrators of that history is another matter entirely. It might not be a bad idea to have our own version of the “stumbling stones,” perhaps marking the places where enslaved people were sold, where post-Civil War atrocities took place, and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.