Tag Archives: twilight

Dunes and Mountains, Twilight

Dunes and Mountains, Twilight
Sand dunes and desert mountains in twilight, Death Valley National Park

Dunes and Mountains, Twilight. Death Valley National Park, California. April 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sand dunes and desert mountains in twilight, Death Valley National Park

Arriving in Death Valley earlier in the day, we had visited some canyon country that is a bit off the beaten path and then headed back to our home base in the park for the next few days. We got settled in, had some dinner, and headed out to make some photographs, deciding that it would be best on this first evening to photograph nearby.

We made it to an area along the periphery of the dunes before sunset and then continued to photograph during the evening light transition from warm pre-sunset color to the post-sunset blue hour light. Here there was still a bit of a glow from the west, but the sun had already dropped below the Cottonwood mountains, and the light was soft as we finished photographing in the evening stillness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clay and Grant, Night

Clay and Grant, Night
People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

Clay and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco

This was a beautiful San Francisco afternoon and evening. I rendezvoused with some photographer friends in the late afternoon, and after a group dinner we headed out onto the San Francisco streets eventually winding our way into the Chinatown area around dusk. Fog was coming in, turning the ambient light a beautiful blue color, and street and business lights were coming on and producing contrasting warmer toned light.

In these situations photography is a combination of keeping my eyes open and responding intuitively and of watching for potential compositions and subjects and then waiting for the right characters to populate the scene. Certain places are more likely prospects: narrow streets with electrical light coming from both sides, storefronts, and corners. At the latter people often have to stop and wait for traffic to clear or to figure out where to go next, and they sometimes assemble into interesting compositions and stay there for more than an instant. Here, if I recall correctly, my first attraction to the scene was towards the glowing light in this corner market. I quickly noticed the line of people spread across the scene from left to right, and for an instant the man standing in light at the center of the frame looked up and somewhat toward the camera, and against a backdrop of mostly hidden faces his appearance jumped out at me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Twilight Birds

Twilight Birds
A flock of geese against twilight sky above the Central Valley

Twilight Birds. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of geese against twilight sky above the Central Valley

February was mostly a very good month for photographing migratory birds in the Central Valley this winter. This was a relief, quite honestly, after the past four years of drought and increasingly dire conditions in the Valley and throughout the state. In normal times, the wildlife refuges where I often photograph can be filled with water and life in the winter — flowing creeks and flooded fields where thousands of birds collect. But much of this water comes from sources that are not local, and as they dried up the refuges also began to shrink the acreage that was under water. It was sad to see locations that I’ve thought of as ponds become plain, dry fields. And at times the birds seemed to suffer a bit, too, or at least change their habits. Back in the late fall, before the course of the winter season became clear and Northern and Central California received rain again, we were concerned about what would happen this year.

But in most of California the rains came, at times heavy, and water flows once again. The birds returned, and sometimes it seemed that there numbers were exploding with the return of water. By February it wasn’t uncommon to find many thousands of birds in the refuges, and by late in the month the scene was downright wild, with all kinds of geese, huge numbers of cranes, and much more. In the evening things become active, and as the light fails I often continue to photograph, but at longer shutter speeds that allow me to work with the moving poetry of blurred birds in flight against dusk sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Field, Twilight

Geese, Field, Twilight
Ross’s geese fly above winter fields at twilight

Geese, Field, Twilight. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese fly above winter fields at twilight

The edges of the day are the most magical times in these Central Valley wetlands — from the thick morning tule fog that hides everything from sight and mutes sound, to the hazy evening twilight as the light decreases and takes on the dusk colors. A huge flock of geese was mostly settled in on this newly mown corn field, but every so often they would suddenly take flight and pass back and forth above the fields before settling down once again.

By the time this group flew past the light was failing quickly. I had a long lens on my camera, hardly the right thing for sharp photographs in deep twilight, and even pushing my ISO left me with very low shutter speeds. At this point, rather than fight, I go with the long shutter speeds and have a few final minutes working with the long exposure blur, tracking the flock but letting their motion and the background blur into abstract forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.