“Red Boxes” — Two red boxes on the sidewalk below a street art panel, Aberdeen.
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
“FRESH” — A person walks past a Dublin wall with painted flames and a “FRESH” sign in the Temple Bar district.
I have seen Dublin’s Temple Bar district described in various ways: historic, touristy, not a place to go at night, nightlife hub. From what I could gather on our brief visit this past May, any or all of those might be correct, though I saw no real evidence of it being dangerous. Mostly it felt like one of those typical big city tourist areas, center in an older district with “character,” and gradually being invaded by chain restaurants and shops. But there are still some fun rough edges.
“Cubist Wall” — A wall of rectangles and colors, Cork, Ireland.
When we travel we like to combine the new with the familiar. That was true on our recent trip — the Scotland portion was an extension of the familiar, and Ireland was new to us. That’s right, this was our first visit to the Republic of Ireland. We know there is much, much more to Ireland than we could see in a week, but on this trip we focused on three cities: Dublin, Galway, and Cork. This photograph comes from Cork.
“The Naked Emperor” — “The Naked Emperor,” by Edward von Lõngus, on an Aberdeen wall.
I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.