Tag Archives: wall

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Pines and Sandstone

April 19, 2012 G Dan Mitchell Leave a comment

Sunlit pine trees against shaded sandstone, Zion National Park, Utah.

This was probably one of my first photographs on my recent trip to Zion National Park (and other Utah locations) in early April. After arriving in the general area of the park in the middle of the afternoon, we decided that we should see the “high country” along the Mt. Carmel Highway that heads up and east from the main Zion Canyon and Virgin River area. While almost everything in Zion is fascinating, I find this higher elevation terrain especially intriguing – with its combination of swirling and curving sandstone shapes, carved waterways, and various kinds of vegetation. At first it was hard for me to understand how I might photograph this country, but the more I looked the more I at least started to “see” it.

Of course, I like to photograph trees like these anywhere! Although when I stopped I first photographed some sandstone formations to the left of these trees, I had noticed the trees and thought about the possibility of shooting them with this backlight against the shaded sandstone cliffs, with their red tones altered a bit by the reflected blue light from the open sky.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

April 10, 2012 G Dan Mitchell Leave a comment

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Architecture, Photographs: Night, Photographs: Structures and Objects

Street Light, Yellow Walls

April 9, 2012 G Dan Mitchell Leave a comment

A street light attached to the exterior of dilapidated industrial buildings at the historic Mare Island Naval Ship Yard.

Given the number of times I have ended up photographing this building at the historic Mare Island Naval Ship Yard near Vallejo, California, you might think that I’d almost be done with it by now. Apparently not. I was back at Mare Island in early March to do some photography with my friends from The Nocturnes (and to drag along photographer and friend David Hoffman). After shooting a newly-accessible area near the waterfront and not far from the Mare Island Museum, our wanderings took us past this building, also sometimes known as the UFO building. (I’ll leave the source of that name a mystery for now…)

These old buildings were part of a very active ship building facility until the mid-1990s when the area was decommissioned. Today many of the old buildings still stand, some kept maintained in their historical state and others now the homes of various industries. As far as I can tell, this weathered building is not occupied, and its exterior is a marvel of peeling paint, wild textures, boarded up windows, external electrical conduits, and more.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Interior Detail, War Memorial Opera House

March 30, 2012 G Dan Mitchell 1 Comment

Entrance to stairways at the War Memorial Opera House, San Francisco.

We are fortunate to have season tickets to San Francisco Opera. (No. Not box seats. Not even orchestra seats. But, still, the opera… :-) So we spend a fair amount of time in the War Memorial Opera House in San Francisco and wander around the place a bit before shows and during intermissions. I find the whole place architecturally interesting, and some day I would love to have an opportunity to go in there with all of the right gear and have free run of the place to make photographs.

But for now I have to make do. This particular entry and the stairwell beyond have intrigued me for a while. Long before I made this photograph I had made a few iPhone images of the scene and thought about what it contains and some of the reasons that it must attract me. Last summer we went to the San Francisco Opera performance of Wagner’s “Ring,” and due to the somewhat extreme length of the component operas, many of the performances started fairly early – this one started at 7:00 p.m., meaning that there was plenty of light coming in from the windows to the right of the scene. On this evening I had brought along a camera body and a single 50mm prime, which turned out to be just about the right lens for this scene.

G Dan Mitchell Photography