Tag Archives: waves

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Cliff, Surf, and Incoming Storm

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Cliff, Surf, and Incoming Storm
The clouds from an incoming winter storm fill the sky beyond Pacific Ocean surf and a coastal cliff.

Cliff, Surf, and Incoming Storm. © Copyright 2022 G Dan Mitchell.

The clouds from an incoming winter storm fill the sky beyond Pacific Ocean surf and a coastal cliff.

Knowing that a sequence of Pacific storms was on its way, and that this might cut into opportunities for photography for a while, I headed over the hill to the nearest part of the Pacific coast, the section north of Santa Cruz. This is quite familiar territory for me now — I have been going there for decades. While the big surf was expected, the atmospheric conditions were unusual, with thick coastal haze and high clouds from the storm starting to mute the light and shift its colors.

I often note that even in very familiar locations I can still find new perspectives. I’ve stopped and wandered at this beach more times than I can remember, but this is the first time I’ve been to this particular overlook where the small stream enters the ocean at the base of a cliff below coastal bluffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Evening Sky

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Dunes, Evening Sky
Evening sky above trackless sand dunes, Death Valley National Park.

Dunes, Evening Sky. © Copyright 2022 G Dan Mitchell.

Evening sky above trackless sand dunes, Death Valley National Park.

On our late-March to these sand dunes we arrived late in the day under sky that was starting to fill with high clouds in the west. At times the clouds were thick enough to block the light and lower the contrast to an extent that seemed “beyond subtle.” But as the clouds moved thinner areas passed in front of the sun, and this was enough to give the light at least a bit of directionality. In clearer skies, the sand here would have been extremely bright, and the background sky with thin clouds would have appeared much darker.

In the end, I came away with some files that held enough contrast to work with in post, where I could focus attention on the variations in light and color on the curved dunes. By moving close to the base of the dunes I was able to angle the camera upwards and eliminate everything from the background except for the sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning in the Dunes

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Morning in the Dunes
Soft morning light and subtle colors on sand dunes, Death Valley National Park.

Morning in the Dunes. © Copyright 2022 G Dan Mitchell.

Soft morning light and subtle colors on sand dunes, Death Valley National Park.

The quality of the light among the sand dunes makes all the difference. The dunes themselves are, to a great extent, a visual blank slate. The interesting things we see there are defined by that light — its angle, brightness, color, intensity, and more. The same scene could look cold in blue hour light, warm during the golden hour, harsh and almost colorless at midday, or very subtle under soft light — and there are more variations on these themes than I can possibly list here.

We visited several dune areas on this visit to Death Valley National Park. We wandered out into these dunes one morning, arriving before sunrise and then continuing to photograph as the sun rose and the light gradually transitioned towards the less-interesting daylight qualities. High clouds greatly softened the light and decreased the contrast in the scene, and we found ourselves watching and waiting for even slight increases in brightness and directional light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sea of Dunes

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Sea of Dunes
Undulating patterns of overlapping sand dunes extending into the distance.

Sea of Dunes. © Copyright 2022 G Dan Mitchell.

Undulating patterns of overlapping sand dunes extending into the distance.

Sand dunes occupy a tiny fraction of Death Valley National Park but are one of the most common photographic subjects. They loom large in our sense of the place, perhaps because sand dunes evoke of a sort of alien landscape. But they also present a visual blank slate that is open to diverse interpretations. We can approach them as “grand landscapes” or as intimate landscapes, as abstractions of shape and color, as backdrops for photographs of people and wildlife, and more. I think I began by seeing them as grand landscapes but now find it more interesting to seek out little fragments of form and light.

Perhaps because it makes everyone a bit uneasy we don’t speak a lot about the extent to which photographers treat dunes as a photographic starting point for visual experimentation. By this I mean to acknowledge that most interesting, compelling photographs of sand dunes involve a lot of “interpretation,” much of it done via post-processing techniques. To be sure, I regard this as conceptually legitimate and even necessary, and I embrace it in my own photography— I egard post-processing to be as integral to photograph-making as setting up the camera and clicking the shutter.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.