Tag Archives: winter

Thinking About Yosemite’s Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite National Park, California. February 15, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved. *

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley.

This being February, it seems that Horsetail Fall has again (and more every year) become a hot topic. Horsetail Fall, sometimes referred to as the “Natural Firefall” has been popularized to an absurd and, frankly, dangerous level on social media and in the press. To be honest, I now recommend that you not go.

The conjunction of elements required to produce the most spectacular Horsetail Fall “event” is complex. First, it depends on the geological coincidences of the placement of the fall in a spot hight on the face of El Capitan that receives a narrow beam of sunset light during two brief periods each year. Second, the fall must be running – in roughly the middle of winter. The area supplying water to the fall is high enough to be snow-covered in a typical winter, but low enough that snow can melt and start the fall flowing even in the cold season – but this is not a sure thing. Essentially, there must be snow and then some warmth to melt it, or else some significant warm rain. Third, a series of meteorological events must play out just right. Obviously, the upper face of El Capitan must be clear of clouds. (Yosemite Valley fog and clouds ringing the cliffs are rather common in the winter season.) The sky west of the Valley must also be clear all the way to the horizon since the best color occurs just before the sun hits the horizon.

Most often the requirements do not align. Many of us can tell stories of light getting better and better, leading toward a brilliant finale… and then the “lights going out” just at the peak of color as the sun dropped behind clouds far to the west.

Hundreds and hundreds Thousands of photographers now show up to try to photograph the thing. I’ve done it in the past, though I’m no longer interested these days – partly because of the absurd crowds and partly because I’m often busy photographing other interesting things!

My best memory of photographing Horsetail was years ago when the park service was doing major road work on Northside Drive, the road along that side of the Valley. The road was completely closed as were the cross-valley roads that travel between Southside and Northside Drives. It had snowed and there was perhaps a foot or more of snow along this section of the Valley floor. I wanted to photograph the fall from a location on the north side of the Valley, so my only option was to put on lots of warm clothes, load up a pack of camera and other gear, and walk across the Valley in the snow. I arrived long before sunset, so I first walked west to El Capitan Meadow where I photographed in rare quiet and solitude on this car-free and carefree late afternoon. Later, I quietly walked back along the road to my shooting location and found perhaps three or four other people there. This quiet, peaceful, and relatively uncrowded experience became my touchstone for photographing Horsetail.

If you go today, there is no way that your experience will be even close, unfortunately.

In recent years, as more people have acquired digital cameras and become more serious about their photography and as the renown of the fall has increased, the crowds have also increased to the point that they have become unmanageable and are damaging the park. As I revise this article in 2020, the problem has become so acute that the park service has wisely put severe restrictions on access — there is no stopping allowed along large sections of nearby Valley roads and one of the popular locations has been completely closed due to damage to forest, meadows, and the river.

* Note: In a wonderful video about Horsetail Fall, Ansel Adams’ son Michael Adams speaks eloquently about his father’s early photographs of the phenomenon. I was intrigued by his comment that Ansel might not have photographed the fall the way we do now because he couldn’t – since he worked with black and white photography. Thinking of this, and being full of myself today, I thought that I’d post a black and white photograph of Horsetail Fall! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tundra Swans, Dawn

Tundra Swans, Dawn - Tundra swans in dawn light above the Central Valley of California.
Tundra swans in dawn light above the Central Valley of California.

Tundra Swans, Dawn. Central Valley, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Tundra swans in dawn light above the Central Valley of California.

This is the second photograph of this particular group of tundra swans that flew low over our position near the end of Woodbridge Road in the California Central Valley near the end of January. With all the challenges of photographing flying birds in limited light and with long lenses, it is no wonder that one gets a less than 100% success rate with these photographs. But every so often all the pieces fall into place and you end up with something that is not another slightly out-of-focus, slightly mis-aimed, over- or under-exposed photograph of the silhouettes of bird undersides. Seriously. ;-)

This group came over at a relatively low level, though not so low than individual birds would fill the viewfinder. By default, I usually begin with the camera in “landscape” (horizontal) mode for this sort of subject, but because these birds were almost directly overhead and lined up “vertically” rather than strung out in a line, I decided to quickly shift the camera to “portrait” (vertical) orientation after one initial exposure as they approached. Now the trick was to try to keep my eye on one bird that needed to be under the AF point, while simultaneously remaining aware of the entire flock so that I could keep them within the boundary of the frame and try to catch them at a point when they were not blocking one another. The fact that I got the beautiful morning light coming from below was partially due to being there good and early, and possibly due to the birds thoughtfully positioning themselves to allow this. Thank you, tundra swans!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bird-Filled Dusk Sky, Central Valley

Bird-Filled Dusk Sky, Central Valley - The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California's Central Valley.
The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California's Central Valley.

Bird-Filled Dusk Sky, Central Valley. San Joaquin Valley, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California’s Central Valley.

I continue to learn the cycles of the migratory winter birds over the Central Valley of California. Early in February I twice visited a wildlife refuge in the area roughly between Merced and Los Banos in the evening. On the first visit, we arrived to find white flocks of Ross’s geese settled into ponds and hour or two before sunset. As the day came to an end the geese started to lift off and fly away in groups and by sunset there were almost non of these birds left at “our pond.” I began to think that the show was over for the night, and I switched from photographs centered on wildlife to working with the trees and ponds and fields as landscape instead. Then, well along into the dusk hour, we heard a sound to the south that signaled the presence of a large number of migratory birds, and a moment later rank after rank of them appeared and crossed above our position on their way to settle in nearby.

Less than a week later I was back in the same area. Again, we arrived to find the Ross’s geese settled in on a pond, though this time there were far more of them and they were closer to our position. Again, during the hour before sunset they began to lift off and fly away. And again, there was a quiet point right around sunset when it seemed that the migratory birds had all left and only a few smaller birds remained. But this time we had our eyes on the sky, and before long we spotted a small, moving cloud far to the west against the shadow of the coast range mountains, and we recognized it as a “flock” of birds. Soon we realized this was not just another small flock – it was a veritable cloud of birds that grew in size as it approached, became louder, and then quickly filled the sky above us with the sound and sight of thousands of wheeling birds.

The photograph shows just the far edge of this “cloud,” as the rest of the birds had just passed across our position and were mostly behind and to either side. Because I had a long zoom lens on the camera, I was just able to move toward its widest setting and quickly compose a photograph that included a bit of the pond, some trees and the far hills, and enough of the flock to suggest its size.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Row of Trees, Evening

Row of Trees, Evening - A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.
A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

Row of Trees, Evening. Central Valley, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

While photographing migratory birds in early February at the Merced National Wildlife Refuge in California’s Central Valley, just before sunset there was a lull in the “bird action,” and I realized that I had neglected to photograph much of anything besides the birds. With this in mind, I left the edge of the ponds where we had been shooting, and I took a short walk along a nearby trail that went out into some brushy areas that generally seemed sort of nondescript. Except… I’m fascinated by brushy, scrubby trees and brush and I’m always challenged when it comes to thinking about how to make photographic sense of this subject. In the right light the shapes and subtle colors can be quite interesting, but it can also be tricky to find a composition in the dense growth.

As I walked I passed along a small pond, and at first I noticed the reflection of a tree whose trunk was branching out in many different directions and its mirrored image in the water. Then I saw this row of barren trees, which I assume might have been planted along the levee as some sort of wind break. Their straight forms were tall and parallel, except that here and there this orderly form was broken up by a trunk or branch pointing off in some odd direction and creating a bit of visual dissonance. Since it was the lens I already had on the camera for photographing birds, I made this landscape photo with what might seem to be the least likely of landscape lenses, a 100-400mm zoom!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.