Tag Archives: worn

At the Shoreline

At the Shoreline
A peninsula of fractured and worn rocks next to the tidal zone.

At the Shoreline. © Copyright 2022 G Dan Mitchell.

A peninsula of fractured and worn rocks next to the tidal zone.

As I wrote in another recent post, what I thought would be a quick visit to this cove turned into a rather longer one. As I started my visit I wasn’t sure that I would photograph here, but once I started looking around I found plenty of interesting subjects. After well over an hour I finally tore myself away to go photograph something else!

The location encompasses a shallow cove lined with rocks, some of which are flat and gradually head under the water, and others that are part of a small peninsula blocking the area from the open ocean. The intertidal zone is full of fascinating things — living creatures, pebbles left behind by the surf, and a pavement of upended strata. In this photograph I backed off some distance and put a long lens on the camera so that I could include the foreground boulders along with a small portion of the flat area and the rocky wall of the peninsula beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wall, Rue de Braque

Wall, Rue de Braque
Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris

Wall, Rue de Braque. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris.

I photographed this little vignette while walking around Le Marais in Paris during our visit last summer. We stayed on the edge of this historic district of old buildings and very narrow streets, and we had lots of opportunities to walk everywhere. I’m happy to simply wander here, looking and seeing what shows up.

The street name caught my attention, of course, and to my eye (which is not profoundly sophisticated when it comes to art history) the color palette and the shapes brought to mind the work of the artist himself. I would usually choose to photograph in earlier or later soft light, but I’ve learned to like the start summer light here, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Exposition Le Bikini, Wall

Exposition Le Bikini, Wall
A very worn and weathered Paris wall, plastered with flyers for the “Exposition Le Bikini.”

Exposition Le Bikini, Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

A very worn and weathered Paris wall, plastered with flyers for the “Exposition Le Bikini.”

This is perhaps a bit of a whimsical photograph. As we walked through an older section of Paris back in 2016 we started coming upon lots of these posters. I assume that the event must have happened recently, as the flyers were worn but not so worn out that they couldn’t be read or seen.

I’m a sucker for worn and weathered surfaces, especially when they hold interesting shapes and forms and when there are layers of old “stuff” on the walls. If you look more closely at this you many find bits of old posters on top of bits of even older flyers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Brick Building, Doorway, Reflected Sky

Brick Building, Doorway, Reflected Sky
Brick Building, Doorway, Reflected Sky

Brick Building, Doorway, Reflected Sky. Bodie, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The desert sky is reflected in the windows of an abandoned brick building in the ghost town of Bodie, California

I have been to Bodie quite a few times, but I rarely go there anymore unless I think something interesting might happen with the weather. The place is often sun-blasted, with cloudless blue skies, and during the part of the year when it is most often visited it tends to be quite hot and dry. Don’t get me wrong – Bodie is a fascinating place and its story is even more interesting. I’ve visited a number of ghost towns and isolated abandoned structures in the outback of California, and the sheer scope of this ghost town sets it apart, as does that fact that California has worked to sustain it in a state of suspended decay.

We were wandering around the eastern side of the Sierra Nevada and points further east of that on the final day of our five-day “aspen chasing” visit this October. Most often my plans are a bit general and/or flexible, and I like to adapt to changing conditions rather than stick to a preset shooting schedule. On this day we were surprised to find it snowing when we awoke in Mammoth Lakes, and as we left town to explore in an eastward direction we stopped to photograph dawn snow flurries over the Sierra crest. Eventually, after going a good distance out toward the Nevada border, we looped back to the north and ended up in Lee Vining, where we grabbed a (very late!) breakfast at Nicely’s. The possibility of going to Bodie was somewhere on the list of options, but when we continued to see snow falling about the town and clouds to the north and east, we decided to head out there to see what we could find. In the end, there was no snow falling in Bodie – though it had fallen there earlier that day – but it was very cold and very windy and broken clouds provided interesting and changeable light. One of my main subjects as I wandered around the town making photographs turned out to be the doors and windows on the old buildings. Perhaps ironically, given my usual lack of interest in sun-blasted Bodie, I shot this scene in nearly flat front light – but it seemed appropriate for this old and weathered building and the reflection i the old windows of the very blue cloud-filled sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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