Images

Tree and Wall

Tree and Wall, Orvieto, Italy
“Tree and Wall” — A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Domes, Evening

Domes, Evening
Early evening light on Lembert Done, Yosemite National Park.

Domes, Evening. © Copyright 2023 G Dan Mitchell.

Early evening light on Lembert Done, Yosemite National Park.

During the last week of summer I finally managed to get up into the Sierra Nevada high country for the first time this season. (As you may know, we were traveling outside the US for most of the summer.) It was great to be back “home” in the Sierra — though the weather conditions were a bit… “interesting.” I encountered thunder and lightning, wind, rain, and even snow! Despite (or perhaps because of?) that weather, I managed to make this photograph of late light on some familiar Tuolumne Meadows during a brief clearing before sunset.

Folks who know Tuolumne Meadows will probably recognize at least a few things in this photograph. A bit of the meadow is, of course, visible in the foreground, just below the trees in the sunlight. The main geologic feature is Lembert Dome, which dominates the local view here, and to its left is its partner, Dog Dome. In the distance over the right shoulder of Lembert Dome is Mount Dana, the second-tallest peak in Yosemite, with its summit covered by clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Horse Stencil, Walls

Horse Stencil, Walls
“Horse Stencil, Walls” — A stencil of a horse at a place where two walls meet in Siena, Italy.

Some years back, in the pre-pandemic era, we spent a bit more than a week in Tuscany. It was quite a trip — we mostly stayed with and traveled with family. We spent a week in the Chianti hills at a villa where our oldest son and our daughter-in-law exchanged wedding vows. We also managed to very briefly visit Florence (barely more than one day) and Siena (literally a few hours). Needless to say, that was only enough to make us want to return for longer visits — which we did this summer.

This time we had three nights in Siena, where we stayed in a little place just minutes from the Piazza del Campo, the famous central plaza. If you have been following along, by now you know that our mode of travel is a bit different. We do see some of the Big Sights (and Sites), but we also spend a lot of time just walking and wandering and getting the feel for the place. As a result, we sometimes end up with photographs of small things that you might miss on a more hurried visit — like this little stencil of a horse near the meeting of two walls along a Siena walkway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.