Category Archives: Photographs: Central California

Last Light on Trees, Upper Young Lake

Last Light on Trees, Upper Young Lake
Last Light on Trees, Upper Young Lake

Last Light on Trees, Upper Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

The last sunset light strikes trees growing on a boulders at the end of a peninsula at Upper Young Lake, Yosemite National Park, California.

After arriving at Upper Young Lake with the intention of photographing a small, lone shoreline tree… I promptly wandered off and photographed a number of other subjects instead. (I mentioned elsewhere that I ran into John Sexton and Anne Larsen also photographing here, and John pointed out correctly that the tree would end up shaded at the time of best light. Need to go back in August for that one…) First I did a bit of reconnoitering around the west side of the lake, wandering down to and beyond the outlet stream, and thinking about how to photograph this rocky prominence at the end of a small curving peninsula. Then I photographed a bit near the drop-off from the upper lake towards the middle lake. After that I walked back toward the outlet stream again, noted the predicted shadow on the tree, and decided to focus my attention on this peninsula/rocky/tree subject, which I stuck with until the light faded.

When I began photographing this subject the low angle evening sun was casting its warm light on the rocks, trees, water, and even parts of the distance rocky slopes. As the sun dropped various areas began to fall into shadow and the light became warmer and warmer. I made this photograph just before the very last direct light left these trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Shoreline Forest, Lower Young Lake

Shoreline Forest, Lower Young Lake
Shoreline Forest, Lower Young Lake

Shoreline Forest, Lower Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light on the shoreline forest at Lower Young Lake.

After finally managing to convince myself to get out of my warm sleeping bag and bivy sack oh-so -early on this cold, late-summer morning, I grabbed my tripod, camera, and lenses and headed down to the shoreline of this lake. (That’s right – no breakfast. My routine is generally to simply get up and start shooting. I might work for as long as a few hours before the light is no longer what I want, at which point I make my way back to my camp to fix coffee and breakfast.) Although I know this lake pretty well at this point, there are always new things to discover when I look closely, and the conditions are never the same twice. Although I’ve walked past this little bit of shoreline forest many times – the trail goes right through here – this is probably the first time I’ve photographed this spot. I’m often intrigued by backlit trees – for the long shadows, the color of light coming through leaves and branches, and the darker and mysterious quality of the trunks – and several other things also caught my attention here. There was still a bit of late-season green in the small plants down close to the ground, and I liked the obstructed view of the lake surface, the far shore, and the rocky slopes above.

This type of scene and lighting poses some challenges, the most obvious being the wide dynamic range. There are very bright specular highlights reflecting from the needles of the trees and the bright areas of the tree trunks can also be very bright. In this scene there was an additional source of “bright” where the rocks above the far shoreline were directly lit by sunlight. The trick is to not blow out all of those highlights – though a bit of “blow out” on tiny specular highlights can be OK – while still retaining some detail on the shaded side of the trees. Often I resort to exposure bracketing (making two or three different exposures to be blended in post) and, in fact, I did approach this scene that way. However, by shooting RAW and working carefully in post I was able to control the highlights and bring back some of the subtle shadow details.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Point Lobos Rock Patterns #1 – July 10, 2010

Point Lobos Rock Patterns #1 – July 10, 2010
Point Lobos Rock Patterns #1 – July 10, 2010

Point Lobos Rock Patterns #1 – July 10, 2010. Point Lobos State Reserve, California. © Copyright 2010 G Dan Mitchell – all rights reserved.

Black and white photograph of abstract rock patterns near Weston Beach at Point Lobos State Reserve.

This detail of the Point Lobos shoreline rocks was also photographed in an area just a bit north of Weston Cove where large rocks are lifted up at striking angles and the surf has worn away successive layers of sedimentary rock to reveal wild patterns. Some of the colors in this bit of rock were quite intense – the rock on the left is intensely reddish-brown in the original capture – and seemed to overwhelm the subtle patterns, especially those on the right side of the image.

I don’t know if it is apparent but this is a highly post-processed image. I don’t think it is necessary to spoil the fun by going into all of the gory details, but this image depends quite a bit on work in post.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Point Lobos Rock Patterns #2 – July 10, 2010

Point Lobos Rock Patterns #2 - July 10, 2010
Point Lobos Rock Patterns #2 - July 10, 2010

Point Lobos Rock Patterns #2 – July 10, 2010. Point Lobos State Reserve, California. © Copyright G Dan Mitchell – all rights reserved.

Detail of patterns in eroded shoreline rocks, Point Lobos State Reserve.

Another photograph of eroded rock patterns near the water not far from Weston Cove at Point Lobos. Here the top layer of reddish rock has worn away in places, leaving a much lighter layer of what I guess is some kind of sandstone below. I’m no geologist, but this section of seashore has fascinating rock formations on the small and large scale where many strata have been exposed by the surf. In some places there a big gobs of conglomerate rock, composed of many smaller rocks “glued” together. In other places very thin layers lie one on top of the other and they have been partially uncovered and worn away by the surf, creating amazing patterns.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 100, f/16, 1/6 second

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