Category Archives: Photographs: Northern California

Photographs from Northern California

Stairway, Rain

Stairway, Rain - Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California

Stairway, Rain. Mare Island Naval Ship Yard, Vallejo, California. November 17, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white photograph of a stairway and a portion of a front wall of Building 45 on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California

I interrupt the almost-steady stream of landscape photographs from the American Southwest (of which there are many more to come) to share a photograph of night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. Depending upon where you see/read this, you may not know that I have been photographing this place at night for a half-dozen years or more, joining a large number of other night photographers who continue to be fascinated by the place. The San Francisco Bay Area group known as The Nocturnes has been instrumental in uncovering the photographic potential of this wonderful location and in ensuring its respectful treatment by photographers, and I was there with them again this week. I’m certain that many people who drive past and see “Mare Island” signs have no idea of how long this place has existed (well back into the 1800s) nor of its historic importance (the first US west coast major ship yard) or some of its “issues,” including the transition from the military to civilian uses and all of the things that this entails.

The whole area, but especially that around the “historic core,” is quite an amazing photographic resource, especially for those who have worked to “see” it at night. There are a number of obvious, impressive, and iconic features – the gantry structures, the power plant, many old buildings, dry docks, and more – yet return visits begin to reveal smaller and subtler features that you could miss on a single visit. There was one wrinkle in this week’s shoot – RAIN! When we assembled there before sunset – for photograph sharing and talk – we knew that a weather front was headed our way, but we hoped that it might hold off long enough to let us complete some shooting first. I wasn’t so sure. (The weather radar app showed a front very close to us!) As soon as it was dark enough, I quickly went to work at this building that I had seen earlier in the day when I arrived. It was already beginning to sprinkle when I got there, and soon the rain increased to the point where I had to work under an umbrella as I completed some relatively long exposures. (For real fun, try juggling camera, lenses, bags, tripod, and an umbrella… in increasing wind… and rain… while trying to attach camera to said tripod and compose and focus!) I had time to make five or six photographs at this location before I had to seek shelter along with my Nocturnes colleagues on the front porch of one of the old officers’ mansions.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Frost-Rimmed Oak Leaves, Autumn

Frost-Rimmed Oak Leaves, Autumn - A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley
A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley

Frost-Rimmed Oak Leaves, Autumn. Yosemite Valley, California. November 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley

Earlier this week I had (just barely) enough time for a very quick one-day up-and-back visit to Yosemite Valley. Such a visit, entailing a four-hour drive each way, and beginning with a 3:30 a.m. alarm going off, is not completely fun in all imaginable ways… but I won’t complain in front of people who might regard a visit to this valley as a once-in-a-lifetime experience. I’m fortunate to live where I’m able to get to such a place and back in a day. The reason for the quick visit was that I had not made my annual “autumn leaves” visit to the Valley. In a typical year I do that right around the first of November (though I often think of it as a Halloween trip!) when the maple, oak, and dogwood leaves can be very colorful. I thought that I had missed the show this year, but over the weekend I heard from friends that there were still leaves in The Valley, so I figured that I would try to get up there for a quick visit.

Having gone there for decades, I no longer go straight for the usual iconic subjects – though I will photograph them when the conditions are extraordinary. Instead, I often end up poking around in odd corners, looking for things that are smaller and less easily seen, but which I associate with The Valley just as much as, say, Half Dome or El Capitan or Yosemite Falls. So, odd as it may seem, when I made my first stop of the day at El Capitan Meadow, with its iconic views of Sentinel Rocks and El Capitan on opposite sides of The Valley… I spent the first 15 minutes with my lens pointed down into a small patch of the Merced River where there were some interesting reflections, and then I wandered off along the river bank in a few inches of snow to photograph close-up views of the wonderful oak leaves rimmed with morning frost. It occurred to me later that some might think it is a bit odd to drive so far to photograph such things!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn, Waiting for Endeavour

Dawn, Waiting for Endeavour - Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility
Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility

Dawn, Waiting for Endeavour. NASA Ames Moffett Airfield, California. September 21, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility

I’ve posted enough photographs of the space shuttle Endeavour on its flyover of the NASA Ames Moffett Field – here is a photograph of some of the people who showed up to see the event. The place opened its gates at 6:00 a.m., which is well before sunrise in California at this time of year. I left home at about that time and took public transit, arriving just about the time of sunrise. I joined the growing throng arriving at Moffett. Quite a few came by car, but many also came on foot, walking from the nearby light rail stations or from their cars that they had parked in nearby Mountain View.

Once on the base the decisions were pretty straightforward – to stop of breakfast, coffee and souvenirs or to head straight out to the edge of the runway to take up a position hours in advance of the flyover. I made a quick stop for coffee, but decided to forego souvenirs and the available food-truck breakfasts (as good as they looked), and headed straight out onto the runway. There was a crowd already near the entrance area, but much of the runway was still open, especially further down toward the old Hangar One, where I found a position right along the barricades next to the runway. For the next few hours, people mostly hung out – talking, making photographs, checking cell phones, and so on – as the sun rose and the anticipate built. The photograph shows a small portion of the crowd right near sunrise, when the shadows were still long and most people had not yet arrived. The skeleton of the historic Hangar One is at the far left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lodgepole Forest and Lower Slopes of Mount Gibbs

Lodgepole Forest and Lower Slopes of Mount Gibbs - Lodgepole forest trees and the lower slopes of Mount Gibbs are bathed in sunset light, Yosemite National Park
Lodgepole forest trees and the lower slopes of Mount Gibbs are bathed in sunset light, Yosemite National Park

Lodgepole Forest and Lower Slopes of Mount Gibbs. Yosemite National Park, California. September 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Lodgepole forest trees and the lower slopes of Mount Gibbs are bathed in sunset light, Yosemite National Park.

This was an evening of “interesting” (e.g. – tricky!) light that changed from moment to moment. The issue was that there were high clouds to the west of my position not too far from Tioga Pass. These clouds can cut both ways – on one hand they can be lit up in quite astonishing ways by the light at the end of the day and just after sunset, but they can also quite simply block the light from the west. When I see this situation in the Sierra, I often make a point of being where I can take advantage of the potential for a wild show of sky color, but I’m also aware that as often as not nothing will happen and the sun will simply slide behind the clouds. On this evening things were complicated. Earlier there was a wonderful atmospheric haze that became luminous in the back-light. However, as the sun dropped toward the horizon, at times it did pass right behind clouds that were thick enough to block its light and turn the world quite gray.

Eventually I figured out that light was going to be transitory and unpredictable on this evening, so I more or less settled into “opportunist” mode, ready to move quickly when a bit of light showed up in one place or another. With a somewhat long lens on the camera, I would wander around or just stand and watch. Then, almost without warning, something would light up – a tree over there, a ridge behind me, some clouds – and provide a momentary opportunity to make a photograph. At the point that I made this photograph, in subtle, rose-colored light, I had almost given up since the trees around me had fallen into shade. But a brief bit of sun came through a break in the clouds near the horizon and lit the nearby grove as the slopes of Mount Gibbs became pink in the end-of-day light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.