Category Archives: Photographs: Urban/Street

Couple On The Bank of the Leie River, Ghent

Couple On The Bank of the Leie River, Ghent
“Couple On The Bank of the Leie River, Ghent” — A couple on the walkway along the Leie River, Ghent, Belgium.

This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.

We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Michigan Avenue, Evening

Michigan Avenue, Evening
“Michigan Avenue, Evening” — A wet autumn evening along Chicago’s Michigan Avenue, photographed from the Chicago Institute of Art.

Needless to say (though I am saying it anyway!), for Californians, Chicago around Thanksgiving seems like a very cold place. (I can imagine Chicagoans shaking their heads and muttering, “Come back in January, California boy!”) To be truthful, we had very nice weather for late November: overcast, but daytime temperatures into the 40s and only a little bit of light rain. Yet, this photograph just looks cold to me!

We had been out for a walk and as we passed the entrance to the Art Institute of Chicago, I decided to use that building (on the left) to frame the early evening sky against the skeletal trees, and set against the other buildings along Michigan Avenue.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tables and Columns

Tables and Columns
“Tables and Columns” — Tables set up between pillars under a portico, Santiago de Compostela, Spain.

On a cool May Day, these tables in the sunlight between stone columns along a narrow street in Santiago de Compostela were quite attractive. While the narrow streets serve, in part, to reduce the amount of hot sun on the passageway in the summertime, on this cloudy day a bit of sunshine between the arches seemed appealing.

For us, travel is an opportunity to stretch boundaries and step outside of the usual routines. At home, we’re more likely to just walk along our local streets without stopping, but here it seems like stopping is the point.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.