Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eroded Desert Canyon Walls

July 17, 2013 G Dan Mitchell Leave a comment

The eroded rock strata of the walls of a narrow desert canyon, Death Valley National Park

I made this photograph in a place that I most certainly would not want to visit on the day that I am posting this! Back in early April this popular hike up a narrow canyon was relatively comfortable on a day when the temperature might have made it to about 90 degrees Fahrenheit. By now, that would be considered to be a “cool” day, since temperatures in these “warm” months frequently go well over 100 degrees. Some people choose to visit Death Valley in those awful conditions, but I’ll take the late fall through early spring season any time!

In Death Valley, more so than in just about any other area below timberline, the geology of the place is laid open for us to see clearly. Things do grow there, but sparsely and rarely beyond a height that might be measured in inches. The primary impression is of rock – monumental mountains of rock, vast washes over which floods have spread broken up rock and gravel, and the valley floors which may range from gravel to sand – but are still, ultimately, rock. Very little grows in this canyon aside from a few tiny plants peeking out of the odd crack or cowering in bits of shade, so here the erosion features and the underlying rock strata are easy to see. As I came to this point in the canyon, the wall was mostly still in shadows filled by reflected light, with just a bit of direct sunlight rimming the edges of some of the rocks.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Egret Quartet

July 16, 2013 G Dan Mitchell Leave a comment

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lake, Granite, and Forest Reflection

July 15, 2013 G Dan Mitchell Leave a comment

Granite slabs rise above the reflected shoreline of Tenaya Lake, Yosemite National Park

I woke up on this morning in Yosemite Valley, car camping (as in “camping in the back of my car”) so that I could rise well before dawn, get out of the Valley, and drive over Tioga Pass in the morning light on this first weekend during which the road was open. It had actually opened the previous day, and I had made a ritual midday “first of the season” drive to the pass, but it was in light that was less than inspiring – hence my return at an earlier hour this next morning. It was dark when I left the Valley and the sky began to lighten as I headed up toward highway 120 and the trans-Sierra route.

I stopped along the way in the very early light to photograph lakes and rocks and trees and granite, and by the time I arrived at the shoreline of Tenaya Lake I felt like the light was going. However, the stillness of the water and the slight atmospheric recession produced by morning haze caught my attention and I pulled over. The main draw for me in this composition and a few other similar ones that I did at the same time was the reflection of the sunlit granite slabs ascending from the far shoreline. I also wanted to contrast that hard and bright surface with the softer and darker patterns of the forest beyond and the shaded faces above the forest.

Photographs: Architecture, Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

July 14, 2013 G Dan Mitchell 1 Comment

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell Photography

Eroded Desert Canyon Walls

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Egret Quartet

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Lake, Granite, and Forest Reflection

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Launch For Hire Building

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.