Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pacific Ocean, Evening Sky and Fog

June 24, 2013 G Dan Mitchell Leave a comment

Thin evening fog clouds drift above the Pacific Ocean along the California coastline.

This is a favorite sort of view of mine along California’s coastline – a calm (almost) summer evening near dusk, but only a few wisps of fog trying to collect themselves along the shoreline, but not quite making it. So much of what I photograph has at least some green in it – so this palette limited to shades of blue and pink seems special.

Although it was not quite so still when I made this photograph – I was along the edge of a bluff not far from the highway – the visual image captures for me the feeling of timelessness that I sometimes experience at the coast. I’ve lived in these areas almost my entire life, so I’m no stranger to the coast and beaches. (Though I continue to see and learn new things. But most such experiences are tied to roads and parking lots and even to urban areas. A few years ago, believe it or not, I had a very different experience with the ocean when I walked perhaps four miles to a point along the sheltered waters of Point Reyes, and coming to the coast on foot I felt, for the first time at the ocean, this sense of deep time and I felt that what I was seeing had probably changed little, if at all, in millennia. I can literally count the number of times that I’ve had the profound realization, and I was alone on each occasion – the Point Reyes experience, on a still evening away from camp above timberline in the Upper Kern River region of the Southern Sierra, and on one memorable day on my first (two-week!) solo backpacking trip when I found myself sitting on top of a 12,000′ Sierra pass for several hours.

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Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Raven on Fence Post

June 23, 2013 G Dan Mitchell Leave a comment

A raven perches on a fence post above cattle ranch pasture, Point Reyes National Seashore

I had not gone to Point Reyes to photograph ravens. In fact, the thought of photographing these birds, which are not exactly high on my list of birds I love to photograph, had not even crossed my mind. I had a half day to do some shooting, so got up three hours before dawn and drove north through San Francisco, over the Golden Gate Bridge, into Marin County and then over to the coast, hoping to make it all the way out to the tip of Point Reyes to photograph Drakes Bay at sunrise. I didn’t make it quite in time, and instead ended up photographing Tomales Bay as the sun came up. After that I headed out on the road toward the point, but on a whim decided to finally drive up the Mount Vision Road, which I have always passed by on my way to other places. This was in interesting diversion, but after a while I remembered that a group of folks from the Bay Area was going to meet up to photograph the Point Reyes tule elk at around 9:00 a.m.

I figured I might try to join them, even though I haven’t really had that much luck photographing the elk in the area at the north end of the park where they are most easily found. (My best “elk experience” in the park was in a different area where I didn’t even expect to see them.) So I drove back a bit and then out on the road toward where the elk are found – in the area beyond Abbott Lagoon and near Pierce Ranch and McClure Beach. As I started out that road I saw a lot of birds of various sorts, so I stopped and grabbed my camera with the big lens from the trunk and put it on the seat next to me. (Smarter photographers than I probably normally keep such a setup handy while driving!) Sure enough, before long I started passing lots of birds along the road including this cooperative raven, who despite looking a bit nervous when I stopped close enough to make a photograph, stuck around long enough for me to get one shot… before other cars drove up and passed me and scared the bird away.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Colorado River Valley

June 22, 2013 G Dan Mitchell Leave a comment

The Colorado River winds through rugged country beyond the White Rim, Canyonlands National Park

On our second visit to Canyonlands National Park (the first had been back in April of the same year, when we briefly visited the “Island in the Sky” highlands of the park) we were somewhat stymied by less than astonishing light. Overall the skies were sort of partly cloudy, but that “partly” portion seemed to line up almost perfectly with where we were, and from afternoon on a large mass of clouds sat above us and to the west. For this photograph, that might have actually been a bit of a blessing, in that trying to photograph the tremendously intricate and detailed landscape visible from the “Grand View” overlook in full sun at this time of day would have been challenging, to say the least. This landscape, lit that way, would have contained some extremely bright features along with very deep shadows in the canyons, and the result probably would not have been all that great. The clouds, however, somewhat mute the contrasty light, making the bright areas a bit less bright and allowing diffused light down into areas that would otherwise be dark. At least there was a bit of light on the buttes in the far distance at the upper edge of the frame.

This scene is one of those “iconic” views that, well, everyone photographs. Generally, I’m not that much about photographing icons. In fact, often when I go to places like this I try to not know what the iconic shots are or where to find them, preferring to instead just sort of guess, follow hunches, poke around, and see what I discover. This may not be the most effective way to find the “cool stuff” in a new location, but it does let me start to develop my own relationship with a landscape from the very beginning. So when we went into Canyonlands the first time I basically had almost no idea what I was “supposed” to see and photograph. (For example, I had no idea that iconic “Mesa Arch” is in this park – drove past the road to it and said, “Ah, that’s where Mesa Arch is!” And, no, I did not photograph it.) However, as we wandered about and looked at stuff, we somehow managed to end up at several of “those places” – especially the Green River overlook (which I now recognize as one of the iconic views of this park) and Grand View. In addition, I’ve often advised others to not eschew icons in certain situations. One, of course, is when you find yourself in front of such an icon and have never photographed it before. But another is when one visits a location for the first time and does not yet have a deeper knowledge of the place. For example, I’ll occasionally get asked by first time visitors to Yosemite or Death Valley (places where I shoot a lot) about where the “secret spots” are that not everyone shoots. I tell them that getting to know a place to such an extent that you can find, “see,” understand and photograph the non-iconic subjects is not a reasonable goal for a first visit. Often that takes many visits, perhaps in different seasons, and the time to let the place “get under your skin” to the point that you have a real feel for it.* But everyone has to start somewhere, and photographing icons is a fine place to start when you are new to a place. They are, after all, usually quite spectacular spots – as I say, “They are icons for a reason.”

*For my part, during my first year photographing in Utah I spent over 30 days there during three long visits. It wasn’t until well into the third visit that I really began to feel that I was moving past the “Oh, wow, Utah!” state and starting to really understand the place.

Photographs: Nature, Photographs: Sierra Nevada

Aspen Leaves, First Light

June 21, 2013 G Dan Mitchell Leave a comment

First morning light on aspen trees and fall foliage, eastern Sierra Nevada, California

This past fall I had exactly one day to photograph aspens in the eastern Sierra Nevada. This was a bit odd for me, since I usually spend quite a number of days chasing fall aspen color up and down the east side of the range. But this year my target was a bit further away in Utah, and we merely paused for an extra day on the “east side” on our way to that other state. Fortunately, we hit great conditions, in terms of good aspen color and fine weather that didn’t prevent us from getting up to those trees.

Very early in the morning we headed up to an area that I have photographed many times. There are a couple of iconic photographic subjects at this location, but I mostly got them out of my system some years ago and now I look for somewhat less obvious subjects when I go here. I began by shooting some trees near the outlet stream of a lake, with early morning light behind the trees. After working that tricky but beautiful light for a while, I decided to go around to the far side of the lake to where a large stand of small but densely packed aspens stands at the base of a hillside. I got there before the sun came to this spot, so I quickly schlepped my gear up the hill a ways and into the end of the grove, setting up just before the sun arrived. Before the sun’s rays hit the tree, everything had a distinctly blue tone. As the edge of the shadow arrived, the aspen leaves began to glow more and to cast shadows on the trees in the background. These shadows quickly transitioned from soft and subtle to quite contrasty and sharply defined in a matter of seconds. This photograph was made just as the sunlight arrived but before it became intense, and the soft shadows of the leaves on the slender background trunks lasted just a moment.

G Dan Mitchell Photography

Pacific Ocean, Evening Sky and Fog

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Raven on Fence Post

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White Rim, Colorado River Valley

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Aspen Leaves, First Light

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.