Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Maple Leaves and Sandstone

Maple Leaves and Sandstone - Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park
Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Maple Leaves and Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Wind is not usually the photographer’s friend, at least when the photographer is shooting natural subjects that include foliage. Later on this trip we were stymied by strong winds when shooting in the Escalante River Canyon, as the trees and leaves were being whipped around in the gale. But the same winds that create these problems – and I was experiencing some of them with tree photographs on this day, too – also bring down the autumn leaves and in the right conditions can create a thick carpet of the wild fall colors.

This photograph, like quite a few I have shared recently, was made in the bottom of a wash where leaves tend to collect, but by means of water flow and, as here, due to the wind. These maple leaves ranged in color from yellow-gold through orange to almost red, and here they littered the rocks in the bottom of the channel. Like spring flowers, these colors are a fleeting thing, and the leaves on the ground quickly blow away or turn brittle and brown.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Late November Fly-In

Ross's Geese, Late November Fly-In - Ross's geese settling in for the night at last sunset light, San Joaquin Valley, California.
Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Ross’s Geese, Late November Fly-In. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Now that I have finally (it was about time!) discovered the migratory bird populations in the Central Valley of California, I’ve become addicted to photographing them. Among my favorites are the huge flocks of Ross’s geese that can appear at times in certain places out there, and which are most active during the morning “fly out” and the evening” fly in” periods.

This was my first “wild goose chase” of the current season, and I had arrived very early that morning… to find thick tule fog obscuring the views of the birds. Early in the morning, I could hear them but barely see them at all, with the exception of one flock settled in close enough to the access road that I could barely make out a few of them in the murk. As things cleared a bit in the morning I could confirm that there were decent numbers of these birds about, but they seemed to be settled in on water that was inaccessible to me for photography. I photographed some other subjects, and eventually moved on to check out some other areas. Late in the day, I realized that I probably had time to swing back through the refuge for about an hour in the evening. When I arrived I found a few birds in the same inaccessible location where I had seen them in the morning, but I also was able to see some flocks passing by and even circling over along the far corner of the area. With this in mind, I began to work my way over there, and was rewarded with a good-sized flock that had settled into a grassy area not too far from the access road. As these geese will do, from time to time they spontaneously all rose into the air and the giant, thick flock circled for a few minutes before settling back in more or less where they were before. I photographed these against the dusk sky about the Coast Range as the last of them came back to rejoin the group on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwoods, Meadow, and Stumps

Cottonwoods, Meadow, and Stumps - Stumps of dead brush in a meadow with autumn cotton wood trees, Grand Staircase-Escalante National Monument
Stumps of dead brush in a meadow with autumn cotton wood trees, Grand Staircase-Escalante National Monument

Cottonwoods, Meadow, and Stumps. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Stumps of dead brush in a meadow with autumn cotton wood trees, Grand Staircase-Escalante National Monument

We encountered these first autumn-foliage cottonwoods shortly after we entered this canyon, and this being our first day shooting in this area, I think we (or at least I) felt obligated to shoot every possible subject, since everything was so new on this day. Later I might have passed up these cottonwoods which, despite their brilliant color, were it a tricky spot to photograph and were just about to end up in the direct morning sunlight.

Trying to find some sort of composition that could include them but not make them the whole story, I first saw the brushy meadow with its light green grasses and older dry grass, but that was too featureless of a foreground for what I had in mind. Then I saw these old dead stumps of perhaps tamarisk or some other desert plant that were still standing in a section of this meadowy area, and I decide to use them to fill the foreground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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