Pilings stretch toward the sky at a San Francisco construction site.
On this April morning I was walking around in the China Basin, Mission Bay area of San Francisco, having arrived on the train at the Fourth and Townsend Caltrain station very early. After photographing some light reflected in buildings not far from the station, I wandered over towards the Mission Bay area. There is a lot of construction going on in this “neighborhood” right now, and one particular block was a hotbed of work.
At one corner of this block work was well underway to set a large number of tall pilings into the ground for – I assume – a building that is soon to be erected here. I managed to maneuver myself into a spot where I could eliminate most of the other distractions and compose a photograph of these structures pointing toward the sky.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.
Among my very favorite conditions in Yosemite Valley are those of winter or late-spring days when there is snow along the cliffs high above the Valley and clouds float along the cliff tops alternately revealing and hiding trees, cliffs, and granite spires. The story behind this photograph is, as is often the case, one of being distracted from the obvious thing by some other small thing that I could have overlooked if I hadn’t looked in the right direction at the right moment.
I was in the Yosemite Valley area for a day, primarily to shoot wildflowers in Merced Canyon below the park. Between my morning and evening shooting along the Merced, I headed up into the Valley to see what I could find. Frankly, although it is always beautiful to be in the Valley, I wasn’t seeing much of anything that inspired me to make photographs. I enjoyed my time there, but eventually decided to go to a slightly different area to see what I could find. On my way back to the Valley from that other place, I passed through Wawona Tunnel, had some extra time, and decided to at least pull out briefly at tunnel view and have a look around. The scene is always tremendous, with the astonishing Valley and all of its impossible features spread before you – but it isn’t always worth trying to turn this into a photograph. I’m spoiled enough that I don’t always even take the camera out when I stop there, and this was one of those days. I left my gear in the car and just walked to the overlook to, well, look for a minute before driving on. I have a habit of looking all around when I’m in such a place since sometimes a subject can be found that is not the primary iconic thing. So I looked around… and high above and way off to the side I saw the clouds gathering around a few of the granite spires, with an occasional beam of light shining through. Ignoring the Valley itself, I now quickly returned to my car, put a long lens on the camera, put the camera on the tripod… and from the back of my car and in the parking lot (sigh… ;-) I made a series of photographs of these fog-shrouded snowy cliffs.
I understand that this weekend a number of photographers, including quite a few that I know, will assemble in the Valley for a “photo walk.” I won’t be there, since I have another thing that I have to attend to elsewhere. So consider this photograph to be my “best wishes for a great shoot.” Oh, and it is also a personal photographic celebration of the fact that Tioga Pass will open on Monday, making the high country my home away from home for many days over the next few months.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Double instant rebates provide significant discounts to photographers who want to purchase a camera body along with a lens and/or flash. A new ‘double instant rebate‘ promotion has just begun at B&H and will run for a few more weeks. By buying a lens or electronic flash along with a Canon 5D Mark III, 5D Mark II, 60D, or 7d you can save significant amounts on the overall purchase. With some of the most desirable lenses, the savings can run into hundreds of dollars.
The group of eligible cameras is exceptional and it includes the most recent and most advanced full-frame and cropped sensor cameras (5D3 and 7D) along with some very capable but less expensive alternatives (5D2 and 60D). Follow the link to the B&H site for details.
B&H also has some other interesting offers right now, including:
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.
The conditions were wildly changeable on this early afternoon at Point Lobos. I had originally been shooting at a more protected location in the park where it was mostly sunny, though with the sun partially obscured by high, thin clouds. After finishing with my shooting in that location I decided to head out toward the more exposed coastline just south of the “Point” itself before leaving, and when I got there I found that the fog back was perhaps only a few hundred yards offshore and was already beginning to obscure some of the rocks.
I hurried a bit to the south to a point where the view might be clear toward Bird Island and the Carmel Highlands, thinking that I might get some long distance shots before the fog closed it or, better yet, as it came in. Sure enough, I arrived at a good spot to work from while the rocks were still clearly visible against the backdrop of the fog, which was brightly lit from behind by the sun. I set up my tripod, mounted a very long lens, and attached the camera, and looked back at the view to find… that the rocks had virtually disappeared as the fog moved in more quickly that I expected. Still, by waiting for momentary clearing in the mist, I was able to make a few very foggy photographs of these large off-shore rocks, almost obscured by the incoming fog.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
