Central Courtyard, Rain, Curved Window – Getty Center

Central Courtyard, Rain, Curved Window - Getty Center
Central Courtyard, Rain, Curved Window - Getty Center

Central Courtyard, Rain, Curved Window – Getty Center. Los Angeles, California. December 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

The central courtyard of the Getty Center on a rainy day as viewed through a curved window from the entrance rotunda.

The typical arrival at the Getter Center is via the tram from the parking area, and after leaving the tram and walk up the shallow stairs most people first enter this round, glass-enclosed space from which I made this photograph during my rainy and foggy visit to the Center near the very end of 2009. I shot this view into the wet and almost deserted courtyard through the curved windows using a wide angle lens. I was thinking about several things as I made this photograph: the angular vertical shapes of the outdoor buildings, the perspective lines of the balconies and the pool receding toward the very foggy distance, and the dissonance of the curved window and especially the curving and sweeping “lines” of the window frames.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Two Photographers: Two Videos

I came across a couple of interesting videos of photographers on the web today.

The first is a wonderful video of Michael Kenna photographing in the snow in Hokkaido, Japan. The video is partly an interview, partly a visual narrative of Kenna at work, and partly a collection of interesting scenes and images associated with some of his photographs. There is a lot to think about and consider in the video, and it struck several chords for me. Among many was his use of the word “hunt” to describe the act of looking for and finding photographic images, and not perhaps just in the sense of tracking and capturing an image, but also, I think, related to the need to be patient and to understand the “quarry.” I often have thought about the “hunt” aspect of looking for subject. (Link originally seen at George Barr’s Behind the Lens blog.)

The second video is rather different but also features a very talented landscape photographer, Charlie Cramer. Unlike the slow moving and rather poetic video of Kenna with its long silent shots and occasional sparse music, this video interview (on the Marc Silber show)  is pretty “straight ahead” – basically a record of Charlie talking about his ubiquitous framing guide, a sheet of mat board with a 4 x 5 cutout that he uses to help him visual photographs while he is in the field. This is interesting and Charlie makes a compelling case for using this “tool.” (I’ve thought about it, but never “gone there.” Perhaps I will now…) More interesting to me were a few side comments that Charlie makes in the course of the interview. For one, he refers to the frame as a “blood pressure meter,” and suggests that he more or less “just knows” when a scene is going to work because when he views it in the frame he feels his blood pressure rises. (In another context he has spoken of hearing the scene whisper, “Take me!”) The point, I think (and forgive me if I have this wrong, Charlie!) is that all of the rules of composition in the world won’t help you that much in the end – essentially you need to be able to look at the subject and “just know” that it will work and how.

Cliff House, Pacific Winter Surf and Fog

Cliff House, Pacific Winter Surf and Fog
Cliff House, Pacific Winter Surf and Fog

Cliff House, Pacific Winter Surf and Fog. San Francisco, California. January 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of Pacific Ocean fog and winter surf beating against shoreline below the Cliff House, San Francisco, California.

There is an overlook just north of the ruins of the Sutro Baths that provides a clear view of the historic (and iconic) Cliff House Restaurant atop the cliffs near Ocean Beach in San Francisco, California. On a day like this one, the surf from winter Pacific Ocean storms pounds the base of the cliffs. At the lower left a bit of the old ruins of the Sutro Baths can be seen – it is hard to imagine how anyone constructed the walls and platforms and then the buildings of this facility.

(I posted a possibly more dramatic vertical format version of this scene a few days ago.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Death Valley Delayed

Earlier this winter I had evolved a plan to visit Death Valley earlier in the year than I usually do – I was planning on going later this week. However, as the season as unfolded it has turned out to be a very wet one in DEVA NP. According to reports (including this one) many roads are closed or washed out, including those to some of the places I was planning to visit. While the wet conditions also bring some special and unusual opportunities (including landscapes with reflections in ponds), at this point I’m going to hold off and reschedule my visit for the end of March.

By that time there is a good chance that more of the closed areas will have reopened. I have a hunch that this might also end up being a special year for wildflowers – and if I’m lucky I might manage to be there at right about the best time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.