Photographing Death Valley – Part 1

January 20, 2010 G Dan Mitchell 17 Comments

This material concerning Death Valley is unavailable while revisions are underway. Thanks for your understanding. In the meantime, I will respond to comments left on this page.

(Update 3/22/13: The planned update to this article has been long-delayed, and for that I apologize. It turns out that the way I want to approach the subject in the revised version is a bit more complicated than I expected. I had anticipated completing an update in early 2013, but I decided to wait until after this year’s shoot in Death Valley so that I would write with that experience fresh in my mind.)

Also, more (but not all!) of my Death Valley photography is found here: https://gdanmitchell.com/gallery/v/NaturalWorld/TheLandscape/Desert/DeathValley/

(Note: After a conversation with a friend who is a retired Yosemite ranger, in which he articulately explained why he has concerns about sharing overly specific information about sensitive and fragile places too widely, I have decided to revise this article about photographing Death Valley. The goal is to remove some of the unnecessarily specific details about places that don’t need a lot more publicity, and to let photographers who are new this wonderful park learn about it the way I did and continue to do – by slowly exploring and adding to my knowledge and experience of the place rather than looking for a quick list of the “great shots.” I hope you’ll understand.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: People, Photographs: Southern California, Photographs: Structures and Objects, Photographs: Urban/Street

Three People and Windows – The Getty Museum

January 20, 2010 G Dan Mitchell Leave a comment

Black and white photograph of three people and a large window with cloudy and rainy weather beyond at the the Getty Museum, Los Angeles.

Another photograph created more or less by finding a place with an interesting architectural composition and then waiting for the right people to wander into the frame and assemble themselves into interesting positions…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: black and white, monochrome, architecture, form, getty, museum, los angeles, california, usa, urban, window, column, walkway, sidewalk, doors, railing, roof, ceiling, rock, stone, wall, trees, garden, grove, travel, southern, weather, fog, mist, rain, cloud, exit, doors, perspective, stock

Photographs: People, Photographs: Southern California, Photographs: Structures and Objects, Photographs: Urban/Street

Two Women, Sculpture, and Trees

January 19, 2010 G Dan Mitchell Leave a comment

Two women pause near statues and trees with autumn leaves on a rainy day at the Getty Museum, Los Angeles, California.

I like to photograph from near the top of the steps next to the building at the Getty that houses the photography section. From here the view opens to the large gardens below, with buildings beyond and to the right. If you watch long enough you can find interesting compositions as people accidentally assemble themselves as they walk across this space.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: getty, museum, center, building, column, stone, sidewalk, walk, sculpture, statue, women, two, rail, steps, stairway, garden, trees, fall, autumn, color, winter, rain, fog, wet, clouds, mist, reflection, lawn, railing, people, umbrella, curve, stock, travel, los angeles, california, usa

Commentary, Ideas, Photographers, Technique

Video: Michael Adams on “Moonrise, Hernandez, New Mexico”

January 18, 2010 G Dan Mitchell 2 Comments

As if on cue, right after I posted my “Photographer versus Photoshopper” piece yesterday, in which I mentioned Adam’s “Moonrise…” photograph, I saw this wonderful video interview with Ansel Adams’ son Michael in which he offers a basic description of the extensive post-processing that Adams applied to the original negative to produce the print we know so well.

The interview also reminded me of another topic for the “Photographic Myths and Platitudes” series that I am thinking about, namely the claim that great photographers always carefully compose and consider their subjects before they trip the shutter. Sometimes they do, but quite often it is more a matter of “tripping” over the tripod as one scrambles to capture a moment of beauty that appeared unexpectedly and which may disappear any second if you don’t work quickly. Of course, well-developed technical and aesthetic instincts help when it comes to turning such a moment into a photograph.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.