Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Windows and Shadows

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Windows and Shadows
The shadows of passing figures on a pair of windows and a wall in Manhattan.

Windows and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shadows of passing figures on a pair of windows and a wall in Manhattan.

This somewhat mysterious-looking photograph comes from a few years back on a visit to New York City. It was late in the day, and we found ourselves wandering along the Highline Park, the elevated park along a portion of the west side of Manhattan. The park wanders past all sorts of Manhattan features — apartments, hotels, businesses, parking, streets, and more. In such places unusual and fleeting lighting effects can occur, some of them as magical as the light I look for in the natural world. Among them is the potential for light to reflect back and forth among multiple reflective surfaces. This often softens the light and directs it into places where you might not expect it. That was the case here, as the light worked its way down into this urban canyon in the same way it does in the red rock canyons of the Southwest.

This photograph also exemplifies why I like to work with small and light cameras in urban environments — rather than using the larger, tripod-mounted gear I often use in the natural landscape. Here things happen quickly, often with little warning, and quickly disappear. Being able to respond quickly is critical, and this ability to work quickly and spontaneously often turns out to be far more important than having larger and objectively “better” gear. The ghostly shadows of the passing figures were gone within seconds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Last Light, Mono Lake

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Last Light, Mono Light
The shoreline of Mono Lake, a cone, mountains, and the last light of an early Autumn evening.

Last Light, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shoreline of Mono Lake, a cone, mountains, and the last light of an early Autumn evening.

The views from this section of Mono Lake have long intrigued me. I think it may be because I frequently arrive here late in the day from the north, and especially in the autumn it is pretty common for me to come down the grade from Conway Summit at just about sunset. On quite a few occasions I’ve raced the sunset to get there in time for the last light, occasionally with the rising full moon in the scene. By now I have a few particular locations where I like to pull over and set up on these lovely evenings.

This view looks along the shore of the upper “corner” of the lake just off of US 395. The shoreline undulates here now that the waterline has dropped from historic levels. (I’m fairly sure that the foreground peninsula was previously under water.) A second peninsula extends into the lake from the Black Point formation, and beyond that lies Negit Island. In the distance, beyond the far shore of this huge lake, lie desert mountains, catching the final sunlight of the day in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Sierra Foothills, White Mountains

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Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Color and Sierra Crest

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Autumn Color and Sierra Crest
Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Thoughts of autumn have begun over the past few weeks. I can imagine all sorts of reasons. As I have written, that mysterious “something” that indicates that the seasons are changing appeared recently, right on schedule. (I attribute it to changes in light, the angle of the sun, the time of sunset and sunrise, and perhaps a few other things.) Here in the West, it may also be triggered by an intense desire to see the end of the hot, dry conditions that plague us during this time of global climate change. I miss cooler weather!

This, of course, gives rise not only to ideas about where to go to photograph this year’s color, but also to reexamination of autumn photography from prior years. This photograph comes from a few years back, during the relatively wet interval between the previous five-year drought and the current drought. I made my first fall color visit in very early October that year, hitting a few of my favorite places and checking out a few new ones that are less known. This location is more the former than the latter, a very large system of canyons draining the eastern Sierra above Bishop, full of rivers, forests, and plenty of rocky terrain leading to the crest of the range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.