Cascade And Peaks, Morning

Cascade And Peaks, Morning
Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline

Cascade And Peaks, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline.

The daily routine on these backcountry photographic expeditions tends to follow a basic pattern. We’re up very early — in order to be in a good place by the time the light arrives we typically need to arise when it is still dark out and then make our way to our chosen location. There’s often an intense period of photography right around sunrise, but then things taper off as the rate of change in the light slows. We work for a couple of hours until the light becomes less spectacular, then we return to camp for breakfast followed by a midday period of mostly hanging out. We usually eat dinner in the late afternoon time frame, and then we head out once again for a few hours of photography that often end in darkness.

On this morning I had a plan to walk up a nearby route to a higher lake, where I had several potential photographs in mind. I knew that these scenes were very light dependent, so I wanted to arrive early. I set out with plenty of time… and immediately started to find myself distracted by unanticipated subjects. I stopped to photograph the inlet stream of a lake, then a pool below the trail, then this lovely section of a small creek cascading down the slope from the valley above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Last Light And Sunset Clouds

Last Light And Sunset Clouds
Colorful sunset clouds as the last light touches the summits of the Sierra Nevada crest

Last Light And Sunset Clouds. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful sunset clouds as the last light touches the summits of the Sierra Nevada crest.

I think of this as the “night of miracle light.” Sierra Nevada folks know that the predominant condition in the summer months is clear, blue skies… which many people regard as a virtue but which photographers often lament. It probably seems very strange to non-photographers to hear us exclaim things like, “Darn! I had seven days of boring perfect blue skies!” We want some clouds! The come from time to time, but they are the exception rather than the rule.

During our weeklong stay in the Eastern Sierra high country we also had mostly blue sky weather. We did get a bit of rain on the day we hiked in and, surprisingly, again on the day we hiked out. But in between, with one notable exception, the weather was what normal people might call “perfect.” But then, there was this evening, the final one of the trip. Very late in the day, we began to see lovely, puffy clouds starting to assemble above our valley and especially above the higher peaks the surrounded the upper end at the Sierra crest. At sunset the clouds became spectacularly beautiful as they were illuminated by sunset light coming from below and to the west. All of us stopped what we were doing and assembled in a group near our camp to watch this lovely luminous benediction to our trip.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Reflections, Rocky Shoreline*

Reflections, Rocky Shoreline
Huge rocky slabs meet the shorline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Reflections, Rocky Shoreline. © Copyright 2019 G Dan Mitchell – all rights reserved.

Huge rocky slabs meet the shorline of a subalpine Sierra Nevada lake.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Rocks, Water, Reflection*

Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

* This is the first of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.