Evening, Tuolumne River

Evening, Tuolumne River
“Evening, Tuolumne River” — Evening light on forests and peaks as the Tuolumne River flows through Tuolumne Meadows.

This quiet scene was even more peaceful than usual. It was an early July evening and the campground was still closed. There was hardly anyone else up there. Walking in the meadow I doubt if I saw more than a dozen people. I paused near some half-submerged rocks along the bank of the river and made this photograph looking east toward the Sierra crest in late evening light.

Let me share a secret for those of you who like solitude. Tuolumne Meadows can be a pretty busy place during the peak summer season, between folks staying at the campground and those driving in and out for the day. But at the two most beautiful times of the day the the meadow is often nearly deserted. In the morning many people are still sleeping or on their long rives to the location, and in the evening they are again driving or else back in camp fixing dinner.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Coastal Cascade

Coastal Cascade
“Coastal Cascade” — A Big Sur creek forms a small waterfall just before it reaches the Pacific Ocean on a foggy morning.

We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.

I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sea Stacks and Surf

Sea Stacks and Surf
“Sea Stacks and Surf” — Sea stacks in morning light along the rugged Big Sur coastline.

Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.

This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.