Photographs: Central California, Photographs: Nature

Pond And Early Morning Autumn Sky

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Pond And Early Morning Autumn Sky
A marshland pond reflects cloudy early morning autumn sky

Pond And Early Morning Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A marshland pond reflects cloudy early morning autumn sky.

I regard this as a sort of “almost winter” landscape, since I made the photograph in mid-December, about a week before the winter solstice. By this time of year California is solidly into the wet-season regime — the polar opposite of the state’s summer. Pacific weather fronts from the Gulf of Alaska sweep across the state periodically, and when the weather behaves somewhat normally the states wetland areas come back to life. And, yes, by California it is definitely the “cold season” by mid-September!

Scenes similar to this one may be found all over the state. All you need is a source of water and some expanse of relatively flat terrain where the water can pool. This one is located in an agricultural plain in the central part of the state, but I’ve seen similar pools across the entire state from south to north and east to west. You can even find them at times in the desert areas. This morning brought skies filled with clouds portending the arrival of one of those winter weather systems. After an initial burst of sunrise light the sun moved behind clouds and the colors softened. I photographed past some remnant shallow water plants, now gone to winter brown, and toward the early morning sky to the north.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Wetland Plants, Dawn

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Wetland Plants, Dawn
Water plants grow in a wetland pond, photographed just before sunrise, california, usa, north, america, mnwr, nature, landscape, central, san joaquin, valley

Wetland Plants, Dawn. © Copyright 2018 G Dan Mitchell – all rights reserved.

Water plants grow in a wetland pond, photographed just before sunrise.

California is a state of astonishingly diverse landscapes, and quite a few of them can seem almost monumental — the peaks of the Sierra Nevada, the vast expanses of deserts, the long Pacific coast shoreline, the redwood forests, and more. These are the subjects that often attract visitors, and I’m not immune to their attractions either. In fact, I’ve spent years photographing all of them, and I continue to do so. But as a person who has lived nearly his entire life in the state, I have learned — sometimes rather slowly! — that there are other, more subtle landscapes that are also quite beautiful.

Wetland scenes like this one are among those that might easily be overlooked at first. In fact, I was guilty of overlooking them for decades, even though I had opportunities to get to know them. It was only in the past decade or some that I became entranced by them, often as a side-effect of photographing other subjects that brought me there. They are found all over the state — near the mouths of rivers, in the shallows surrounding San Francisco Bay and similar bodies, it various flatlands. I made this photograph in a place that most folks looking for California beauty would not visit — a quiet place in an agricultural area where winter rains collect in shallow ponds. I was there on a quiet morning, arriving before dawn when the first light was coming to the eastern sky and the colors reflected on the surface of the still water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Coast, Evening Haze

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Big Sur Coast, Evening Haze
Evening winter haze and mist at sunset along the rugged Big Sur coastline

Big Sur Coast, Evening Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening winter haze and mist at sunset along the rugged Big Sur coastline

This is perhaps a fairly “typical” winter view of this coastline — if such a landscape can ever by described using that term. We were on the return leg of a visit to the Los Angles Basin, and we decided to take the long route back, following US 1 up the Big Sur coast. (There is an inverse relationship between speed and rewards when traveling between northern and southern California. Racing up and down I-5 in the Central Valley has its place, but you miss a lot. US 101 is slower but more interesting, and US 1 is a lot slower and a lot more interesting!)

By the time we got out of the LA Basin — which took three hours even on a post-holiday morning — it was clear that the winter sunset would occur when we were somewhere north of Ragged Point and south of the town of Big Sur. We did not know precisely where, but along this coast it is usually possible, when you realize that the day is ending, to find a good spot fairly quickly. I picked this one perhaps 10-15 minutes before sunset, mainly by intuition as we came around a headland and saw the foreground bay, the layered headlands, and the long view to the north. I quickly got out and set up to photograph in the warm, sunset light… and then watched it “gray out” as the sun dropped behind low haze sitting on the horizon!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.