Winter Sky, California

Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Fractured Rock and Lichen

Fractured Rock and Lichen
Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

Fractured Rock and Lichen. © Copyright 2018 G Dan Mitchell – all rights reserved.

Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

I had been camped within walking distance of this feature for the better part of a week before I spent time photographing it. Oddly, I had walked right past it as we hiked in to our base camp, and I had apparently not even looked up to see it. It is a long section of granite-like rock that runs along the shoreline of a lake, and because the rocks are high enough the spot retains soft, shaded light well into the morning. While it isn’t a dramatic, iconic sort of location, a closer look revealed lots of intimate details worth photographing.

This section of fractured blocks intrigued me for several reasons. The shapes themselves hint at geological processes about which I can only speculate — lots of linear and crossing fractures that gradually eroded to leave a stair step sort of structure. The rock itself is covered in places with some vividly colorful lichen, and small plants grow in cracks where water is apparently available. The color of the scene is a bit unusual, in that the bluish tones come from reflected sky, which produces a large portion of the illumination here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Rainy Evening, Amsterdam

Rainy Evening, Amsterdam
Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

Rainy Evening, Amsterdam. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

This was our first day in Amsterdam, on our first visit to this city. We arrived by train from London, got there in the afternoon, went to our hotel to get settled in, and then it was time to begin our explorations and to get something to eat. Our hotel was just outside of the very busy central area of Amsterdam, so we had to walk a few blocks first before we entered the familiar narrow and curving streets… and for the first time saw the busy crowds, scores of bicycles, and more.

It was a slightly wet evening — no hard rain, but enough to dampen the pavement and create reflections. The darkened, cloudy skies and the late hour limited the light, which always has the nice effect of making illuminated signs a bit more visible, but without blowing them out as can happen at night. Our first impression on entering this area was that we could just walk up the center of the street. That turned out to be sort of true, but there’s more to it than that in Amsterdam. Lots of different types of traffic share these streets — the ubiquitous bicycles, pedestrians, occasional scooters and cars — and it turns out that there are some rules and expectations about who goes where. If you haven’t been there before, I’ll just say, “Watch out for bicycles!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.