Clearing Dust Storm, Evening

Clearing Dust Storm, Evening
Translucent atmosphere as the sky clears in the wake of a Death Valley dust storm

Clearing Dust Storm, Evening. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Translucent atmosphere as the sky clears in the wake of a Death Valley dust storm

This was the tail end of a massive dust storm that was with us in one form or another for an entire day. Very early in the morning we had seen the precursor conditions when we visited a high ridge in the Panamint range before dawn. At that time there was a kind of haze in the atmosphere that I had come to associate with incipient dust storm conditions. By midday the dust was easily seen rising out of the great valleys on either side of the mountains, and before long tendrils of dust were snaking through the air above our position. Returning to Death Vally itself we encountered a wild scene — thick dust everywhere and extremely high winds. We gave up and shut ourselves indoors for a few hours, and then not long before sunset the wind abated a bit, and I ventured outside.

The dust storm was still raging across the valley, but in our location the winds had dropped considerably. But in the interim a weather system had moved overhead, and now it was raining into the dust storm — something I had not encountered here before. I made my way to an elevated location that was above much of the worst of the dust and from which I had wide views across the lower end of the Valley. From there I could see the Cottonwood Mountains to the west, and as the air cleared slightly the light made its way under the clouds and back-lit the dust still floating in the translucent atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Barber and His Shop

Barber and His Shop
A barber takes a break on the steps of his shop, London

Barber and His Shop. London, England, UK. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A barber takes a break on the steps of his shop, London

We spent a few late afternoon and early evening hours wandering around this area of narrow streets and small shops, killing time before a scheduled evening event. It was a warm evening, and this fellow was sitting on the steps in the doorway of his shop, probably getting a bit of fresh air, when we walked past.

From time to time I’ve read about people with some strict “rules” about what street photography is and is not. They often involve the equipment used, a preference for black and white, a challenge to get in the faces of subjects, and the desire to produce a certain “raw” look. There is nothing wrong with any of that, but I have my own notions about street photography — what it can look like, how it can be done, and even the boundaries around the subjects that qualify as street. It can be and up close, black and white image of a person doing more or less nothing special. But it can also be an urban landscape in which the wildlife is human. It can be in color. People do not necessarily have to be included. It can be produced in a slow and methodical manner or spontaneously while in motion. To make this photograph – notice the very low camera position — I held the camera down at my side and “shot blind” as we walked past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Summer, Sierra River

Summer, Sierra River
The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

Summer, Sierra River. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

This is a sort of “Sierra dreaming” photograph — a scene from last summer, of the sort that I’m looking forward to experiencing again this coming season. It is also a bit of a distraction from the fact that circumstances (nothing bad, just busy-ness and a deadline) have kept me away from the Sierra recently and will probably do so for another month of so. (Though I am sure that this particular spot, photographed in mid-July during a drought year, may look quite a bit different on that date this year!)

Many Sierra Nevada photographs focus on the monumental and spectacular — and for good reason. There are plenty of spectacular and monumental things in the range! But after many decades of wandering around these mountains I find that more and more it is more subtle features that define the experience for me and which draw me back again. This season I have started to see the reports of those venturing very early into the back-country, and each time I see another photograph of a bit of rocky trail, a path through forest, or a fast-flowing creek, it brings back my own memories of many such places — memories that go beyond the mere visual qualities to include sounds of water and rock, the fragrance of the trees, and the feeling of the breeze. Humor me with this somewhat unspectacular photograph of a place that isn’t special enough to be named — it, too, brings back almost all of those associations!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Street Scene, Child, Window Reflection

Street Scene, Child, Window Reflection
A child appears to yell at a reflective window in front of a London street scene

Street Scene, Child, Window Reflection. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A child appears to yell at a reflective window in front of a London street scene

This is one of those “either you get it or you don’t get it” photographs. We were in London for a bit more than a week, as part of a five-week period on the road through places including New York, London, Paris, Germany, and Italy. I know that not every “landscape photographer” feels the same way, but I love photographing the streets and people when I’m in places like this. In some ways it is a sort of counter to what I more typically do — I can work handheld rather than with a tripod, I tend to carry minimal equipment, and photographing “the street” often compels me to work quickly and instinctively.

We were out walking somewhere in London — I’ve forgotten the exact context — and we ended up on this busy street full of pedestrians. There is a lot to think about and to see in this photograph, at least in my view. The sky blue color figures prominently in many places within the frame. The carefree girl walking toward her reflection is the center of the scene for me, but behind we also see a couple and an older woman walking away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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