“Kirk of St. Nicholas” — Black doors and entry arch, Kirk of St. Nicholas, Aberdeen.
There is a bit of a story about our May visit to Aberdeen, after our northwest Scotland loop and before we flew to Ireland. Patty had been to Aberdeen decades ago for a music festival, when she was on an international orchestra tour, and I think she has always wanted to revisit this place. In addition, it seemed like a good place to enjoy a couple of slow days before embarking on the rest of our six-week trip through Scotland, Ireland, and England. So we had no big plans, and on this day we simply headed off on a “random walk.”
“Poetry 86” — A weathered Aberdeen wall with graffiti, pipes, and street art.
It may seem odd that someone cast as a “landscape photograph” is also intrigued by rough-edged urban scenes. To some these subjects may seem as radically different from natural landscapes as can be imagined, but I see connections. In fact, I like to think of photographs like this one from Aberdeen, Scotland as “urban landscapes.”
“Red Boxes” — Two red boxes on the sidewalk below a street art panel, Aberdeen.
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
“The Naked Emperor” — “The Naked Emperor,” by Edward von Lõngus, on an Aberdeen wall.
I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.
