Tag Archives: above

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Predawn Clouds Above The Black Mountains

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Predawn Clouds Above The Black Mountains
Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Predawn Clouds Above The Black Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Death Valley can be a tough place in general and a tough place for photography in particular. My recent trip in April of this year might be a case in point. The photography was not easy, and I faced different sorts of challenges almost every day. During the morning and evening hours when I typically look for “golden light” subjects, I had rather thick clouds on almost each day. Wind is often a challenge in the park, and this trip was no exception. And with the wind comes dust — yes, I dealt with dust storms on multiple days. On one morning I arrived at what I thought was my location in pre-dawn murky light, loaded up a pack, and wandered out into the landscape… only to realize once the light came that I was in the wrong place! While this sort of thing can make the photography edge a bit more difficult, I know that it comes with the territory, so I’m philosophical about it. If you are out there enough to encounter astonishing conditions, it is not a surprise when you find yourself at the opposite end of the bell curve on occasion. And when this does happen, if I just open myself to the terrain and look more carefully I can almost always find something.

On my second-to-last day of photography in the park I packed up my camp and left one of the popular campgrounds, with a plan of putting myself in a more isolated location, one of several that I had in mind. However, as I drove up the Valley a storm wind began to rise from the south, and soon clouds of dust and sand were filling the air and blowing north towards the places I thought I would visit. I wasn’t in the mood for camping in a dust storm so I switched gears and decided to head up into the Panamint Range where I thought the terrain might give me some protection. I arrived and set up my “camp” (which, in this case, was mostly my vehicle, in which I would roll out a sleeping bag), and almost immediately clouds filled the sky and a strong wind raced through the campsite. I hunkered down, at some dinner, and realized that this was not going to be a photography evening. The next morning, my final in the park on this trip, I was up and out of the campground at around 5:00, heading out on a gravel road to a high place with a grand panorama. As the first light appeared it became clear that the clouds had not gone away, and my hopes of a colorful sunrise were not going to be rewarded. I arrived at the destination to find that gale-force winds were raking the summit ridge. But I was there, I had my camera, I figured something might happen, so I got out and watched the sky lighten. Soon I saw this remarkable lenticular cloud formation to the southwest above the Black Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

This Is Jess

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This Is Jess
Door with graffiti and stickers

This Is Jess. New York City. July 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Door with graffiti and stickers

I truly don’t remember this photograph at all! Sometimes when doing street photograph (in this case at the start of five weeks or what was largely street photography) I photograph quickly and then almost forget quite a few of the photographs as I move on to the next thing, trusting that my ideas about the subject will come back when I see the photograph again as I do my post processing. In this case, no such luck!

I don’t usually photograph graffiti — in fact I used to make it my policy to almost never post graffiti or to disfigure tags that the photographs might contain. But in this case there may be enough in the scene to convince me to let it go. The layers of time and culture in this photograph are easy to overlook, but when you stop to think about it they are quite amazing. I’m sure that this wall and old door have stood for a long time, likely created by and for people who would have little concept of how the surroundings have evolved. The “stuff” on the door includes its own kinds of diversity, ranging from informal scrawls to bits of paper that were created with the intention of affixing them to place like this. And on the left we have the bright colors of  the edge of a sign in (I presume) a Chinese language, itself visually contrasting with yet connecting to the newer writings on the green door.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

In Flight, Dusk

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In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Nevada

Nevada Sky

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Nevada Sky
Nevada Sky

Nevada Sky. Northern Nevada. July 30, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud-filled evening sky above the basin and range country of Nevada

Speeding across northern Nevada on the California Zephyr, bound for Chicago and then New York City, the first day of our trip was coming to an end as evening arrived somewhere between Winnemuca and Elko Nevada. We began the day at the western terminus of the rail line in Emeryville, California, then crossed the Sierra in thunderstorm weather, passed through Reno, and then headed northeast into the basin and range country and the Humboldt Basin. The sky continued to be filled with monsoon clouds — showers were visible in the distance and there were periodic dust clouds raised by the wind.

During most of this traverse between Reno and Winnemuca it was difficult to see how to make a photograph from the train. Shooting through train windows is, to say the least, a challenge — reflections, spots on the windows, and the close by landscape speeding past an image-blurring speeds. But as we got to Winnemuca the light began to change, and what had been low contrast and gray began to acquire the warmer late day colors, and the clouds began to thin enough that there was now a mixture of sky and towering clouds. This is one of several photographs that I made during the last few minutes of decent light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.