Tag Archives: america

Autumn Wetlands

Autumn Wetlands
Late-autumn colors in California Central Valley wetlands.

Autumn Wetlands. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn colors in California Central Valley wetlands.

As I continue my pandemic project of reviewing years of raw files — and discovering and rediscovering all sorts of interesting things — I have now arrived at the very end of 2012. I’m currently working on the final week or so of autumn and about to move into winter and then on to 2013. One silver lining behind the dark coronavirus cloud is that I have had the time and inclination to revisit these old images and relive some of the experiences I had as I made them.

Every fall migratory birds return to overwinter in California’s Central Valley. Starting in about November I turn my attention that way and start to anticipate visits to this landscape — one that I don’t tend to photograph during the warmer months of the year. But in the cooler and wetter seasons, when the birds can be abundant, this part of California calls to me. I made this photograph on a cold and foggy late-autumn morning as the tule fog was beginning to thin, casting soft light on the autumn foliage of the scattered trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunset Bluffs, Pacific Coast

Sunset Bluffs, Pacific Coast
Late-autumn sunset light on California coastal bluffs south of San Francisco.

Sunset Bluffs, Pacific Coast. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn sunset light on California coastal bluffs south of San Francisco.

My recollection of this photograph is that I had gone to the coast between San Francisco and Santa Cruz on this late-autumn evening partially because I had heard that people I knew were meeting up there to photograph and get together for dinner at an area restaurant. If I recall correctly, things did not go quite as planned. I think I ended up in the wrong restaurant and didn’t find these folks, and eventually I wandered off to some nearby bluffs by myself — which actually suits me fine when I’m making photographs, too.

It was a late afternoon and evening of interesting conditions, the sort that may produce something very special but which are more likely, perhaps, to be a complete bust. There was overcast and some haze in the air, and the light in afternoon was not really spectacular — it was a bit flat and the overcast made it more dull as sunset approached. However, there was the potential for something interesting. The cloud bank that stretched away from the coast seemed to terminate offshore, and there was a gap between this edge and the horizon. If that remained, I knew that there might be a brief moment of spectacular light coming through this gap just before the sud dropped below the horizon. If the band of light is narrow the colors can be intense in its beam while remaining darker and far less intense elsewhere. As you can see, that is precisely what happened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff, Boulders, and Tree

Cliff, Boulders, and Tree
A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Cliff, Boulders, and Tree. © Copyright 2012 G Dan Mitchell – all rights reserved.

A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Earlier on this late afternoon the had worked our way into an wide accessible sandstone canyon with tall walls, lots of boulders, and trees placed in interesting places. As the afternoon wore on these tall red rock cliffs that had been so interesting in better light began to bring an early twilight, and we decided we were done for the day. We hiked back to our vehicle, loaded up, and began our trip back out of the canyon.

We headed a short distance north and then the road jogged west and opened to the fading light as the sun set. (It sets a bit early here on the west side of Capitol Reef as the terrain slopes up noticeably to the west.) We immediately stopped, unloaded, and went to work photographing. The light was somewhat unusual, and it somehow desaturated the red of the sandstone. In this narrow section the wall on the north side is quite abrupt and steep, and its base is littered with boulders that have fallen as it has eroded over millennia. Among the giant boulders a single tree grew.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Arch and Shadows

Arch and Shadows
“Arch and Shadows” — Utah red rock country arch in a shadowed canyon.

It might seem that improbable features like this are everywhere in Southern Utah. While some are familiar icons in national parks like Zion and Arches, similar features are found in less accessible locations. If you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations: such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.

A group of us wandered into a lovely red rock canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us off from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the silence is only broken by occasional birdsong and the gentle sounds of water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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