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Photographer, Fog

Photographer, Fog
Photographer, Fog

Photographer, Fog. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Photographer Michael Frye at work in early morning tule fog, San Joaquin Valley

A small group of us met up on this mid-February morning to photograph migratory birds, winter fog, and the San Joaquin Valley landscape. We came from different directions, beginning our travels well before dawn so that we could meet here before sunrise. We met shortly after 6:00, exchanged greetings in the pre-dawn dark, and then got ready to shoot. I lagged behind a bit while getting gear ready, and our friends Michael and Claudia started off down the gravel road before Patty and I did. Very soon were ready to follow, and in moments we found their car parked near a grassy area.

The fog was dense but also very shallow – nearly ideal for photography since it blanketed everything in a mysterious layer but still allowed the colors of the developing dawn sky to penetrate right down to ground level and make the fog layer glow with luminous color. Michael must have seen this coming, and he was already across a grassy area and at the edge of a pond when I arrived, and he was barely visible through the fog. My first thought was to “work” this solitary tree as my primary subject as the light came up, but first I thought I’d grab a photograph of him silhouetted against the foggy landscape. I made this photograph and then walked to the edge of the pond and made my own series of photographs of the tree, the water, and the foggy atmosphere as the light passed through a range of colors that the eventually revealed higher clouds lit by the dawn sunlight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Coastline, Dusk

Coastline, Dusk
Coastline, Dusk

Coastline, Dusk. Big Sur, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks, Sand, Wood

Rocks, Sand, Wood
Rocks, Sand, Wood

Rocks, Sand, Wood. Death Valley National Park, California. December 12, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Colorful detritus of rocks, sand, and wood along the desert floor of Death Valley National Park

Death Valley National Park is landscape on the gigantic scale and a landscape of extremes. Elevations range from below sea level to over 11,000′ At the right time of year you can stand in 90 degree or hotter temperatures in the lowest place and look up to see snow on the highest peaks. It is well-known that the heat and aridity are extreme. The scale of the place is stupendous. When I first traveled in the park it reminded me, perhaps in a surprising way, of monumental landscapes that I had seen in The Yukon and Alaska, where the land seems to go on farther than one can see. Because there is so little vegetation, the geology of this desert landscape is laid bare, and rugged strata are easy to see.

But there are also surprises right underfoot. At the right time during the right years (and this photo was not made at such a time) small plants and wildflowers emerge and insects and other small critters can be seen. Some of these intimate landscape scenes seem more mundane, but they also tell stories worth hearing. This small patch of earth is at the base of some small, eroded hills along the east side of Death Valley where I have stopped from time to time. It is not an obviously special place – there is no parking lot or sign. The first time I went there to photograph in the evening I looked down and noticed the dense collection of multi-colored rocks, dead plants, and sand, and now when I go back there I seem to always end up looking for the same thing. The curving bit of dried wood was once a plant eking to a life at the edge of the main valley. These rocks are likely evidence of the surprising role that water plays in the formation of this landscape, having been washed down from those various strata and formation high in the Amargosa Range, leaving traces of blue, pink, purple, tan, and green minerals. And below and mixed in with all of this is the omnipresent sand, deposited and moved to and fro by Valley winds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree
Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early morning fog above a marsh briefly glows with pink dawn light, San Joaquin Valley

The winter season ends all too quickly here in California, and blossoms are already appearing on trees. Especially in this drought year, now is the time to enjoy the sights of the cool season – so when we had a chance to make another trip out to the San Joaquin Valley to chase migratory birds a few days ago we immediately changed our previous plans and headed out that way. We left shortly after 4:00 AM so that we could meet friends in the valley at 6:15 – well before dawn, but just in time to be ready for the potentially beautiful pre-dawn light, especially if it would turn out to be foggy.

And it did. Although the two-hour drive was mostly through clear conditions, perhaps 10 minutes from our destination we began to run into the typical Central Valley tule fog. It makes driving difficult… but it makes light wonderful! As soon as we drove into the area where we would photograph we could see that the ground-hugging fog was starting to glow in the pink pre-dawn light. Sometimes we hang out for a bit and chat before getting to work on photographing, but these conditions created a sense of urgency and we immediately moved on to look for subjects. Soon one of the members of our party stopped and headed across a bit of pasture towards the edge of a pond where the quiet water reflected the image of a solitary tree and the colorful sky. I soon joined him, and after he moved on I made a series of photographs of this scene. Photographs made a moment later in the sequence have more of a blue coloration, but for a brief moment the fog glowed pink-purple in the early light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.