Tag Archives: and

Photographs: Architecture, Photographs: Death Valley, Photographs: Desert, Photographs: Structures and Objects

Schoolhouse Ruins, Rhyolite

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Schoolhouse Ruins, Rhyolite
Schoolhouse Ruins, Rhyolite

Schoolhouse Ruins, Rhyolite. Rhyolite, Nevada. April 1, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

Morning sunlight shine through the window frames of the ruins of the abandoned schoolhouse in the ghost town of Rhyolite Nevada, near Death Valley National Park.

The ghost town of Rhyolite, Nevada is located just east of the boundary of Death Valley National Park, along the edge of the Amargosa Valley, and not far from Beatty, Nevada, which itself is close to the Nevada Test Site. Put all of that together and you have the potential for a bit of a spooky place!

Rhyolite was a short-lived mining town in the early 1900s, when it apparently was home to thousands of people who streamed to this forsaken landscape to find silver. The town was eventually abandoned – although some mining still takes place in the area – but a good number of the larger buildings are still there, in various states of decay. An old train station that looks pretty fancy is fenced off to keep us out, but you can walk (respectfully and carefully!) among many other old structures including the old school house that is the subject of this photograph.

I’ve been out here a number of times and dawn is my favorite time to photograph here. The light makes it to many of the old ruins very shortly after actual sunrise, and there is a moment of often beautiful light at this time. From Rhyolite the hills inside Death Valley National Park are visible to the west and above the nearer hills you can see Telescope Peak, the highest point in the park at over 11,000′ elevation.

The school (like a few of the other ruins) looks like it must have been a very large and robust structure. Even though the roof and the second floor are gone, almost all of the exterior walls still stand and don’t show any immediate signs of incipient collapse. On this morning I made a series of photographs from just inside one of the “doorways” of the school with a wide-angle lens. I selected and shared a few of them back in 2009, but I recently went back to my original raw files and decided to try this one in black and white.

G Dan Mitchell Photography
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders and Spring Torrent, Cascade Creek

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Boulders and Spring Torrent, Cascade Creek
Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek. Yosemite National Park, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

This is a subject that I return to several times each year – a particular section of creek that can be viewed from overhead and which can vary from nearly dry to a wild torrent depending upon the time of year and the character of each new year. During the past year I was inspired by Charles Cramer’s stunning photograph of this subject to look at it more closely and from some different perspectives. (A small bit of “Charlie’s scene” appears in this photograph. I wonder if you can find it? :-)

In some ways, the view of this scene is limited in that you can only see it from a particular range of positions – unless you have the skill of levitation! In another way it is hardly limiting at all since the larger view contains many possible smaller views of rocks and plants and water and light. I still have in mind a horizontal composition in this general area, but so far it hasn’t quite worked. Guess I’ll have to keep trying.

I made this photograph in the morning before any direct light had worked its way around the mountains and down into the stream bed. Beyond the stream, which drops precipitously into the Merced River far below, there was open sky and that is the light that reflects on some of the wet rocks. By playing around to find an appropriate combination of ISO values, aperture, and shutter speed, I tried to get the water to hold some detail but to also be blurred enough to reflect its wild motion as it tumbles down this rocky canyon.

As is sometimes the case, I still cannot decide for sure between this monochrome version and a color version that will appear here before long.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ideas, Reviews, Technique

Review: “Light & Land” by Michael Frye

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Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye →

Photographs: Northern California, Photographs: San Francisco

Three Ships at Anchor, San Francisco Bay (Black and White)

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Three Ships at Anchor, San Francisco Bay - Black and white photograph of three ships anchored beyond old dock pilings in luminous morning light on San Francisco Bay
Black and white photograph of three ships anchored beyond old dock pilings in luminous morning light on San Francisco Bay

Three Ships at Anchor. San Francisco, California. July 17, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

Three ships anchored beyond old dock pilings in luminous morning light on San Francisco Bay.

I frequently ride the Caltrain up to San Francisco on summer mornings and photograph along the Embarcadero waterfront (and other locations). I have been shooting this particular scene for several years now, and I never cease to be amazed when I find such a peaceful and serene subject… standing next to old concrete barriers as commuter traffic whizzes by a few feet away.

These ships are frequently moored out in the bay a bit south of San Francisco, presumably while waiting to go into port or perhaps leave the bay? They seem to drift and turn a bit as the tides flow, so their alignment and positions can change in interesting ways. On this morning I was lucky to spot three of them lined up so nicely!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.