Tag Archives: arch

Child In The Street

Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Fog, Point Sur Shoreline

Clearlng Fog, Point Sur Shoreline
Sun shines on the shoreline near Point Sur Lighthouse as morning fog thins

Clearing Fog, Point Sur Shoreline. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun shines on the shoreline near Point Sur Lighthouse as morning fog thins

Most of the photographers I know have their “home territory,” the “local neighborhood” where they have photographed for a long time and to which they like to return. For some it may literally be their neighborhood, and they may photograph right around where they live, perhaps even within walking distance. For others it might be a place they no longer live but which they regard as “home” when they go back. My photographic home is rather large, and for almost my entire life it has included California territory from the Pacific coast and redwoods through the Sierra Nevada. Within this larger area, I have to think that the California coast is probably the strongest “home” for me. I’ve gone since my family moved to the San Francisco Bay Area when I was four-years-old, and we used to visit state beaches and explore tide pools and coastal trails at Point Lobos.

I still live close enough that I can get up early, drive to the coast, photograph for a few hours, and be home by early afternoon. That’s exactly what I did today. I always check weather forecasts before heading over, and today’s imagined that the coastal fog would break up around 8:00 AM. Wrong. But, no problem, I simply headed a bit farther down the coast, looking for that region of special light on the border between thinning fog and hazy sunlight. I found that boundary and made this photograph of a familiar area where the rocky headlands and beaches lead toward the old Point Sur Lighthouse. There was plenty of filtered sunlight, and still a few cloud shadows when I made the photograph.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Via dei Girolami

An arch along the Via dei Girolami, Florence
An arch along the Via dei Girolami, Florence

Via dei Girolami. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An arch along the Via dei Girolami, Florence

During our too-short visit to Florence last summer — about three days at the very end of five weeks of travel — we spent a lot of time wandering the very narrow street “canyon” of the city. I fell in love with the place, especially its architecture and its photographic potential. I photographed from early morning on into the night almost the entire time we were there. Can I go back yet?

In a city of narrow streets, the Via dei Girolami stands out. There are narrower passageways, but whole sections of this street pass beneath buildings, supported by arching structures. As with so many things during our visit, especially since I prefer to not research too much ahead of time, we “discovered” this street by taking an unintended detour. The first time we began near the Ponte Vecchio, but the second — when I made this photograph — we walked through from the other direction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.