Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Hikers, Titus Canyon

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Hikers, Titus Canyon
Hikers, Titus Canyon

Hikers, Titus Canyon. Death Valley, National Park. March 28, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Hikers in Titus Canyon, Death Valley National Park.

There are essentially two ways to get to this portion of Titus Canyon in Death Valley National Park – you can either do a very long drive from near Beatty on gravel roads or you can walk a short distance up from the base of the canyon along the eastern side of Death Valley itself. I’ve done both. The road is quite an experience – in any other park it would probably be regarded as a very special thing, especially the last portion above Death Valley where it twists and turns down a slot canyon that is in places barely wide enough to a vehicle yet so tall that it can be hard to see the tops of the canyon walls. (It is not exactly a bad road, but it isn’t trivial either. There are some very exposed sections where it crosses the mountain ridge and descends past Leadville. Although there are reports of people using lesser vehicles, take seriously the recommendations for reasonably high ground clearance and some from of all-wheel drive.)

However, on this visit I simply parked my car at the base of the canyon, shouldered my camera equipment, and walked up the canyon a ways. There is, of course, much that you probably won’t see if you enter the canyon this way, largely because the road is so long that you won’t likely cover much of it on foot. However, I think that you can more clearly sense the scale of the lower slot canyon when traveling of foot. I included two hikers who happened by to give a sense of that scale to the landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Red Cathedral, Zabriskie Point

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Red Cathedral, Zabriskie Point
“Red Cathedral, Zabriskie Point” — Early morning light on the Red Cathedral and eroded terrain at Zabriskie Point, Death Valley National Park.

This photograph was made at what may be the most famous location in Death Valley, the overlook area at Zabriskie Point. The photograph does not include the famous view of the spire of Manley Beacon, which is just out of the frame to the left in this image. Instead, the photograph focuses on the “Red Cathedral,” a ridge to the right of Zabriskie that rises above the rest of the surrounding eroded hills, is a darker and reddish color, and presents a deeply eroded face.

It is not an easy subject to photograph, and I still have some additional ideas on how else I might approach the feature as a subject. Exposure is a challenge when shooting the Red Cathedral. At first, as light comes to other nearby areas, this feature remains dark. When the sun does finally arrive here – as it is in this photograph – it rakes across the foreground gullies, brightly illuminates the light-colored ridge to the right, and picks off a few small areas of the Red Cathedral while leaving others in deep shade. To add insult to injury, there is a good chance that a photographer will be set up in a position that eventually gives very flat front lighting to the ridge. I may this exposure very shortly after the sun hit Manley Beacon and just as it was starting to light up the foreground gullies and small hills.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Playa Surface, Panamint Valley

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Playa Surface, Panamint Valley
Playa Surface, Panamint Valley

Playa Surface, Panamint Valley. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Cracked and dry surface of the playa in Panament Valley, Death Valley National Park.

This micro-scene could be found in many locations in Death Valley and, for that matter, in many places in the USA and around the rest of the planet. But my little rectangle of the patterns of drying and cracked mud comes from the surface of the Playa (sometimes called “Panamint Lake?”) in upper Panamint Valley in Death Valley National Park. I wrote previously that it was the last day of my late-March photographic visit to Death Valley – I had finished my photography in the main Valley and had started the long drive back to the Bay Area. After crossing Towne Pass the road descends into Panamint Valley to a junction where I most often go south towards Trona and Ridgecrest and beyond.

Just before this junction the road crosses the playa, an extraordinarily flat surface formed when silt washed down from the surrounding mountains occasionally pools and gradually dries, forming what may be the flattest surfaces on the planet. As the moisture evaporates the mud cracks and splits into these interesting semi-geometrical patterns.

For no particular reason other than that this is a spot where I often make one final stop before leaving the park, I pulled over and wandered out onto the playa. I enjoy walking on these often-immense flat surfaces, but there is something very odd about the experience, too. Perhaps it is the slightly odd feeling of walking on such a large floor-flat surface in the natural world, or it might be the deep silence and stillness. In any case, as I wandered around not too far from the road I started looking a bit more closely at the patterns of cracks and soon decided that my photography was not quite finished yet – so I went back to the car to get my camera and made a small series of hand-held photographs with the camera pointing straight down. (The “straight down” shooting raises a question: How should the photograph be oriented? The horizontal orientation shown here is what I saw as I made the photograph… but I also wonder about rotating it 90″ clockwise.)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Red Rock Gully

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Red Rock Gully
Red Rock Gully

Red Rock Gully. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

A red rock gully and wash in the Panamint Range of Death Valley National Park.

I have driven past this area along the road from Death Valley up to Wildrose Canyon quite a few times, and as I do I always am impressed by the many convoluted little canyons and odd and interesting rock formations. Most often I have been on my way to some other place or the light wasn’t quite right, but I always take a look and make a mental list of little spots to keep an eye on. This particular little canyon is one you might not even notice unless you were looking carefully as you passed it. It is in a narrow section of the lower canyon where it is one of many such little landscapes. On this morning I was coming back down from shooting up higher in the Panamints and I was watching carefully as I drove, frequently pulling over to stop and check things out more carefully. At first I almost drove past this spot, but it looked like the light might be interesting this time so I quickly stopped and backed up and made a series of photographs including this one.

The question of how to frame this scene was an interesting one. As is often the case I cover more than one base and shoot the subject in several ways. Initially I worked with a vertical orientation that includes a bit more of the rough terrain a bit higher in the canyon. That image may still see the light of day! But as I shot the scene I also realized that I could use a horizontal orientation too, more tightly frame the entrance to the small canyon, and give up some of the upper canyon formations.

With many subjects I would prefer softer light, and I would probably try to shoot much earlier in the day or come back in the evening. But this canyon, I think, works well in the light of a bit later in the morning when the sun has topped the ridge and direct light hits the top of the rocks and reflects into the recesses a bit more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.