Tag Archives: basin

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man Crossing Bridge

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Man Crossing Bridge - A man crossing a bridge in the China Basin area of San Francisco, California.
A man crossing a bridge in the China Basin area of San Francisco, California.

Man Crossing Bridge. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A man crossing a bridge in the China Basin area of San Francisco, California.

Two bridges crossing the inlet that passes AT&T Park (including “McCovey Cove”) are visible in this photograph. I’m not enough of a historian to have really researched these bridges, though I think that both are or were draw bridges and that at least the far one dates to the early twentieth-century. They are interesting anachronisms in areas that are now quite different from when the bridges were built – much of the surrounding area is not filled with new office and apartment/condominium buildings (one of which is barely seen along the waterfront at the far left) and often crowded with people attending San Francisco Giants games.

As I often do when photographing certain subjects, I began here by trying to create a composition that just included the structure of the bridge, especially with the pattern of the metal grate the forms the roadway here. Then I noticed that a pedestrian was approaching, so I thought I’d see if he might end up in interesting places within the composition. My original idea was to make the exposure before he reached the spot where his is located in this frame, but at the exact right moment a car crossed the bridge in front of him!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Construction Site, Cyclone Fence

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Construction Site, Cyclone Fence - A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.
A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.

Construction Site, Cyclone Fence. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.

Just across McCovey Cove from San Francisco’s AT&T Park is an area where a lot of construction is currently occurring. The area is visually interesting right now partly because of the juxtapositions of really old and run-down stuff, some of the typical empty urban areas filled with parking lots and other temporary facilities, and a lot of change as new buildings go up. On this morning I walked into an area that not all that long ago had an abandoned feeling during the morning hours – and how it was buzzing with activity. Huge steel pilings stretch toward the sky, construction zones are fenced off, and hundreds of workers and lots of heavy equipment are busily at work. Yet even this is only a temporary state that will lead before long to yet another change once the buildings are complete, the construction workers go away, and new businesses and residents move in.

At this site I had first photographed the towering steel pilings. They created a feeling of a sort of odd, abstract monument as they pointed toward the sky. (A photograph of that will appear, or may already have appeared, here at the blog.) Then I walked up next to the fence surrounding the construction site and was impressed by the organized (I presume!) confusion and complexity of what was going on at ground level. Every inch of the site seemed to be occupied by something – rebar ready for concrete pouring, workers operating various pieces of large and small machinery, engineers and planners inspecting the work, the beginnings of towers and walls rising here and there. If anything in the urban landscape comes close to the level of complexity that may be found in the natural landscape, it just might be a place like this!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Pilings and Sky

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Pilings and Sky
“Pilings and Sky” — Pilings stretch skyward at a San Francisco construction site.

On this April morning I was walking around in the China Basin, Mission Bay area of San Francisco, having arrived on the train at the Fourth and Townsend Caltrain station very early. After photographing some light reflected on buildings not far from the station, I wandered over towards the Mission Bay area. There was a lot of construction going on in this “neighborhood,”, and one particular block was a hotbed of work.

At one corner of this block work was well underway to set a large number of tall pilings into the ground for – I assume – a building that was soon to be erected there. I managed to maneuver myself into a spot where I could eliminate most of the other distractions and compose a photograph of these structures pointing toward the sky.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

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White Rim, Evening
“White Rim, Evening” — Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.