Tag Archives: basin

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

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White Rim, Evening
“White Rim, Evening” — Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

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Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Tungsten Hills, Buttermilk Country, and the Sierra Crest

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Tungsten Hills, Buttermilk Country, and the Sierra Crest - Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson
Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson

Tungsten Hills, Buttermilk Country, and the Sierra Crest. Round Valley, California. January 2, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson.

In some ways this is a very typical eastern Sierra Nevada scene but in others, some of which might not be immediately obvious, it is atypical. I made the photograph while on my way to Death Valley in early January 2012. I had done the long drive over Tioga Pass (a first hint about the “unusual” issue) and was headed south to where I would turn east to cross the Inyo Range to that park. As I descended the long grade from Tom’s Place toward Bishop I passed through familiar Round Valley, but this little scene of sagebrush, Sierra foothills, and the crest caught my attention so I quickly stopped and made a few photographs.

The first and primary unusual thing about this photograph is that this was January! In a typical January the peaks here would be completely buried in winter snows – but this January the snowpack brought to mind mid-July. Although the season had started with early and heavy snows in October, things came to an abrupt halt and at this point it had been a month since real snow had fallen. A second slightly unusual thing is that I made this photograph in the mid-afternoon time frame. This is not a time typically regarded as being conducive to landscape photography. However, the high backlight was making the bluish haze more visible and the light was softened a bit by the high clouds, so I went ahead and made a photograph that, I hope, captures the somewhat harsh and dry conditions of the area and the season.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

East Side of Bishop Pass

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East Side of Bishop Pass - Trail and meadows below the east side of Bishop Pass, eastern Sierra Nevada range
Trail and meadows below the east side of Bishop Pass, eastern Sierra Nevada range

East Side of Bishop Pass. Eastern Sierra Nevada, California. August 4, 2005. © Copyright 2005 G Dan Mitchell – all rights reserved.

Trail and meadows below the east side of Bishop Pass, eastern Sierra Nevada range.

This photograph comes from about a dozen years ago. I recently came across it while sorting through older photograph files for a variety of reasons – general clearing out of old images, searching for photographs of a particular subject for a client, and seeing what older images I might have missed when I first made them. When I saw this photograph it evoked a whole series of fun recollections.

Nearly weeks earlier, I had begun a two-week-long backpack trip along a section of the John Muir Trail. At that time, the only section of the JMT that I had not hiked (at least once!) was an area between approximately Shadow Lake and the Muir Trail Ranch – and this was to be the trip on which I covered this remaining bit of trail. The trip started just fine, though in some territory that is not exactly my favorite portion of the range – the low areas around Devils Postpile. After passing by that national monument we headed south, passing Duck Lake and camping at Purple Lake.

The next morning I woke up feeling a bit under the weather, an unusual experience for me on the trail. The next leg of the trip was to take us through an area without an easy exit, and I became concerned about what would happen if my “feeling poorly” deteriorated into actually being sick. I reluctantly decided to leave my group to continue without me, and I backtracked over Duck Pass and down into the Mammoth Lakes area and headed home. (Ironically, by the time I got out I was feeling fine…)

Ending a trip this way just didn’t feel right, so I hatched a plan to show up and run into my friends on the last day of their trip. Since they were coming out over Bishop Pass, I crossed that pass into beautiful Dusy Basin a day earlier, and on the next morning hiked down the canyon so that I could be casually sitting on a rock as they came up the trail from LeConte Canyon. I have rarely seen people as surprised as they were when they found me! After our reunion and joining them for their last trail night, the next morning we were up early to hike out over Bishop Pass. This photograph was made shortly after we crossed the pass and began our descent to the trailhead.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.