Black and white photograph of a man sitting on a bench and talking on his cell phone in front of the shaded wall of an urban building in San Francisco.
I was wandering through this part of San Francisco, mostly but not only looking for architecture like that of this building, especially with the combination of dark shadows and the fire escape contrasting with the white trim and the bright areas lit by the slanting sunlight. When I saw this fellow happily engaged in his cell phone call, completely oblivious to everything going on in the place where he sits I had to make a photograph.
The San Francisco Caltrain station, photographed through glass lobby windows.
I frequently ride Caltrain to the City to do street photography. (Getting there by train is far better for me than taking the car, mainly because I think I can do more effective photography of this sort when I’m working completely on foot and not dealing with the whole driving/parking thing.) In this photograph I liked the nearly empty glass-enclosed lobby area, lit by very diffused light under the early morning fog, and with the trains visible on the other side. The “All Stops Special” sign seems enigmatic when seen out of context.
By the way, as much as San Francisco residents love the sunny and warmer days that occasionally come to the City this time of year, for photography I much prefer at least some fog and cloudiness, especially when I try to shoot during the daytime hours.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
View through curved windows into the central rotunda at the Getter Center with stairs, people, and reflections.
This and a few of my other recent Getty Center photographs are at least partially “about” complexity of several sorts. This isn’t a simple image. I saw quite a few things here when I made it. I may have first been drawn to the reflections on the curving windows of this central building at the Center – it is the first building you enter as you come up from the tram, here photographed from the inner courtyard on the other side of the building. The reflections become almost as solid as some of the other elements since these “other” things are distorted both in shape and color by the windows. I also liked the zigzag pattern of the interior stairway and the two figures at the top balanced by the single sitting figure at the bottom and perhaps the walking figure near the right side. The light was interesting. It was a cloudy and rainy day. (In a full-size image you can see the raindrops on the foreground window.) Besides the odd green cast – more on that in a moment – because the light was diffused and coming from all directions in these misty and rainy conditions, I had a better chance to balance the exposure between the inside and outside areas. There are curves everywhere in the scene – starting with the curving windows, including the curving staircase, the outline of the round interior space, the far curved windows seen clearly in the upper part of the frame, and so on. Finally, as I thought about what to do with the narrow triangle of outside sidewalk at the lower left, it occurred to me that having it there enhanced the odd quality of the green-windowed interior space, and this space even began to remind be a bit of a giant aquarium.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Fractured cliff face and bench with colorful lichens and trees near Upper Cathedral Lake, Yosemite National Park, California.
During the last week of September I managed to squeeze in a very shot pack trip to Upper Cathedral Lakes, just out of Tuolumne Meadows in the Yosemite National Park high country, where I met five outstanding Yosemite photographers who were there for a week of shooting. Although I was only at the lake for perhaps 24 hours, I tried to make the best of it and I shot early and late all around the upper lake.
On the first evening I decided to explore some rocky gullies ascending above the lake on the side opposite from Cathedral Peak. The first gully I followed was very narrow and quite deep – I had to climb a good distance to finally find a spot where I could climb out of it onto the glacier-smoother dome-like formations above the lake. This photograph shows a tremendously fractured section of the wall of this gully, with the bases of a few trees included for scale.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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