Tag Archives: black and white

Winter Storm Surf

At one point while photographing the late-December winter storm surf along California’s coastline, I momentarily hit the light jackpot. While the far horizon was still dark and stormy, a break in the shoreline clouds cast bright sunlight on the surf crashing onto this beach. On a typical day the largest waves here would be more like the one at the bottom of the frame. On this day the biggest waves were huge and loud and sent spray far inland.

Many of us head straight to the coast when conditions like these arise. It is a spectacular thing and not to be missed. At the same time, authorities issue lots of warnings about the dangers. The dangers are real and you certainly want to keep your distance from the sea when it behaves like this. But with a degree of caution you can — and should! — safely watch the show.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Breaking Wave, Reflected Sun

Breaking Wave, Reflected Sun
“Breaking Wave, Reflected Sun” — Winter sunlight reflects on the water beyond a breaking wave during a Pacific storm.

Between Christmas and New Year’s Day, California had several days of extraordinarily high surf, produced by storms far out in the Pacific Ocean. Media reports consistently warned citizens to “stay away from coastal areas.” Consequently, many of us high-tailed it straight to the nearest coastal areas to watch the show! (In all seriousness, this kind of surf really is dangerous. If you go, please observe from a very safe distance.) We visited the section between Santa Cruz and Half Moon Bay, and the surf was as big as I’ve ever seen it.

It was cloudy most of the time, but occasionally the sun managed to break through a bit, creating beautiful reflections on the waves and the distant ocean. This photograph is one of a series I made from a high (and safe) observation point on a peninsula that juts out into the ocean. From here I could watch the waveS break and continue on toward the shore to my left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Urban Wild, Manhattan

Urban Wild, Manhattan
Tightly packed buildings and large trees, Manhattan.

Urban Wild, Manhattan. © Copyright 2023 G Dan Mitchell.

Tightly packed buildings and large trees, Manhattan.

This photograph embodies something about Manhattan that I’ve mentioned before: For such an intensely urban place, there are a lot of examples of the natural world. It isn’t the kind of (ostensibly) “pure” nature that we see in the America West, but I sometimes think that its close juxtaposition with the city environment almost makes it more precious. We have whole forests out here in California, but in Manhattan a single tree can sometimes mean almost as much.

I saw this scene from the High Line Park as we walked its length last November. To those of use used to living with more space around and between us, the closeness of urban abodes along this park is surprising, and it almost seems voyeuristic to take a long look through the trees in someone’s tiny yard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Long Shadows

Long Shadows
Pedestrians at the High Line Park cast long shadows.

Long Shadows. © Copyright 2023 G Dan Mitchell.

Pedestrians at the High Line Park cast long shadows.

In my experience, interesting things happen to the light during late-fall and winter in Manhattan. Many are familiar with the “Manhattanhenge” phenomenon where the sun lines up with streets, but I’m thinking more of the combination of low sunlight angles and midday and afternoon light casting long shadows to the north and northeast of subjects, who appear against a bright, sometimes-glowing background.

Interesting things happen in this light. The shadows fascinate me — they are long and often anngle across the scene. (In some places the shadows themselves criss-cross when the light is reflected from building windows.) To photograph this light I have to walk towards it, and if I’m including human subjects they are often walking the other way — so things happen quickly and I have to react with little time for careful thought. As a result, there are surprises… such as the arm position of the man at the left, who walks almost as if he is trying to balance on a tight rope.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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