Four black oak trees with early autumn foliage stand in late-afternoon light at El Capitan Meadow, Yosemite Valley.
These four oak trees in El Capitan Meadow are almost iconic, having been photographed by many, many people. On this trip I stopped in El Capitan Meadow near the end of the day – this was my last major shooting location before leaving the Valley for the long trip back to the Bay Area. While there was considerably time left before sunset, because El Capitan Meadow sits to the east of some very tall cliffs, this photograph and others in the series were made just before the list direct light fell on the area. The fact that the areas closer to the cliff faces along the north side of the valley were already in shade helped set off the backlit leaves of the four trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.
What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A man descends sidewalk steps past dilapidated buildings with exterior duct work in San Francisco, California.
On a day when my wife was rehearsing in SF and my son needed to do some packing in his apartment… I took this as an excuse to take the (very) early train to the City and wander around shooting on the street until mid-afternoon. A started shooting near the Caltrain depot at about7:00 a.m., wandered up the Embarcadero, heading into the North Beach area, backtracking though the less-touristy part of Chinatown, and finally descending (in more ways than one) to the shoreline at Fishermans Wharf and Pier 39 (ugh) before wandering back up near the ferry building to catch BART to meet up with them.
I made this photograph in an area that seems to me to be sort of on the fringes of Chinatown. The first thing that caught my attention as I passed by on a cross street was the crazy bunch of ducts and other stuff attached to the outside of this building. I wandered up the other side of the street to shoot this straight on, and was doing so when this man helpfully wandered through the frame – which was just what I was hoping for.
On another note, last week I saw some impressive photographs by a person who will remain nameless. The images were largely urban/street work, and included some really interesting photographs of people. But as I looked at the work it occurred to me that part of what was catching my attention was that everyone had seemingly been given the same formulaic treatment in post, likely consisting mostly of a Gaussian blur overlay and some strong vignetting. As an experiment – and partly to confirm my suspicions – I took this image through the same process and with about 10 minutes of work had achieve “the look” of and edgy, saturated, and dark-looking image. But I was left in a bit of a bind. On one hand, it seems cheap to apply a formula in this way, especially when it is so straightforward. On the other hand, it does have a certain appeal…
The version I settled on here eschews that bit of work in post and is more of a “straight” photograph of the scene.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photograph of a building wall with crack and black windows, sidewalk, and no parking sign.
This is another of those photographs that probably seems intended to perplex and baffle those who like my landscape and nature photography. (If it helps, think of it as an urban landscape.) The photograph was made not far from my home on a midday walk with my camera and a single prime lens. I shot the series from which this comes at what is usually regarded as the worst time of day for photography – close to the noon hour about a week or so before the summer solstice. And I did this on purpose! I think that any light can be good light if it is the light you want to photograph. So the game on this day was to go out and see what I could do with very harsh and bright light.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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