Tag Archives: blue

Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway
Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway. Big Sur Coast, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Pacific Coast Highway winds along the rugged California Big Sur coastline at Bixby Bridge

This is a pretty classic view of the California coastline, including a well-known section of the Pacific Coast Highway (route 1) below Monterey in the northern section of the Big Sur coast. Shot from high on bluffs above the ocean, where the highway climbs to one of its high points, the photograph looks north up the coast across pastureland on the foreground bluff towards the famous Bixby Bridge, located in the surf-filled cove just beyond. More bluffs and ridges dropping to the sea fade into the distant haze beyond that.

This was a beautiful spring day, so I got up very early and was in the Monterey area as the sun came up. The conditions were not quite what I expected. I knew that it was supposed to be windy, so I was expecting very clear conditions. The sky was clear of clouds, but there was quite a bit of low atmospheric haze – it almost looked like it wanted to be fog but couldn’t quite get it together to form clouds. This light does difficult things to colors, but it also creates an interesting contrast between the relatively clear closer objects and further subjects desaturated by the haze. It was also windy – very windy by the time I stopped shooting late in the morning.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains
Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong desert winds whip up a dusk sandstorm below the Grapevine Mountains, Death Valley National Park

To look at many photographs – including my own – of places like Death Valley, a viewer unfamiliar with the desert might begin to imagine a place of clear skies (with appropriate beautiful clouds), brilliant sun, intense colors, flowers, plants, and much more. While all of those things can be found in the desert, the fact that they are often more the exception than the rule may at least partially account for their popularity as photographic subjects. Yes, I have seen stunningly beautiful and colorful sunrises and sunsets, while standing in quiet and still air and in comfortable temperatures. However, I have also experienced rain, snow, very powerful winds, sand and dust storms, intense cold, nearly debilitating heat, and more.

This photograph was made during some of the less-than-lovely conditions that are quite common at this time of year, namely very strong winds and the resulting sand storm. Near the middle of the day I had caught my first glimpses of sand/dust rising up into the sky from some nearby dunes. Having been through this before, I was not fooled by the fact that the air remained almost completely still at my location at that time – and it wasn’t long at all until the winds become more general and began to lift sand and dust into the air across the entire end of the valley and then carry clouds of this material northward. I cannot say that I enjoy being in such conditions at all. Sand gets into everything, stuff that isn’t tied down blows away, breathing and opening your eyes can be a challenge. (Later, when I returned to camp in the darkness, I couldn’t face the idea of breaking out the camp stove and trying to cook and eat in the strong winds… so I wimped out and went to the restaurant at Stove Pipe Wells!) But as uncomfortable as these conditions can be, they are also visually special and impressive, so I headed out to the far side of the Valley, figuring that I might be able to shoot back into and across the sand storm while remaining on its edge. I shot through the late afternoon and continued as the sun set, leaving behind the murky, dust-filled atmosphere that shrouded everything. As twilight came on, the winds shifted, and dust clouds that had been blowing away from me began to move south down the valley towards me, obscuring the base of the Grapevine Mountains along the edge of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Ross’s Geese, Sunset Light

Four Ross's Geese, Sunset Light
Four Ross’s Geese, Sunset Light

Four Ross’s Geese, Sunset Light. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Four Ross’s geese in flight against the sky in sunset light

I photographed this group of Ross’s geese late in the day, just as golden hour light was beginning to intensify. We had spent the day in the San Joaquin Valley, visiting a couple of wildlife refuges, and returned at the end of the day to the place where we had begun shooting before dawn. We hoped for some combination of evening geese and then a dusk fly-in of sandhill cranes.

The amount of control you have when photographing these birds is minimal. It is up to them to decide where they will settle in, when and in what direction they will fly, and much more. A lot of the process involves doing things that you hope will increase your odds – being in likely spots at likely times, and so forth – then being ready to take advantage of whatever comes your way. The latter requires some sensitivity to how things are developing, some experience with the camera so that you can make decisions quickly and track flying birds that may turn up unexpectedly, and more. The situation with the geese on this evening was a bit unusual, at least in my experience. At this place we have often been able to find very large flocks of the birds late in the day, at which point a reasonable strategy is to position yourself nearby, taking into consideration the direction of the light, possible backgrounds, and the paths they will likely fly. Then you wait, ready to photograph, until the birds decide to do what birds decide to do! With luck, they will lift off in interesting groups, against interesting backdrops, and in good light. On this evening, we were only able to find one relatively small group of Ross’s geese. (We saw other much larger groups in the area, but they were further off and in places inaccessible to us.) So we found out spot nearby and waited, photographing very small groups of them as they lifted off and flow to the north. However, a few groups did an extra loop or two around us, coming back over our position quite low. You never know how the birds will line up, and often they will ether be too separated from one another or else they are so tightly clustered that you get blocked heads or wings that cover other birds. However, this group was polite enough to line themselves up in such a way that as they flew past each of them was completely visible in the evening light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Surf, Weston Beach

Surf, Weston Beach
Surf, Weston Beach

Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Long exposure photograph of surf and boulders, Weston Beach, Point Lobos State Reserve

This part of a small series of photographs I made at Weston Beach, Point Lobos on a mid-January day. The location is very familiar to me, to the point that I recognize many specific rocks and formations here. I have photographed quite a few times, but I continue to find new things to see here. Part of that is from visiting in different seasons and conditions of weather and light, part from looking more closely, and part from thinking of different ways to photograph the familiar subject. More than once I’ve had a feeling that I was “done” with the location, only to go back and find a new way of seeing it to investigate.

I was playing with several ideas when I made this series of photographs. Obviously, I was working with long exposures that allowed the motion of the waves to blur in various ways, smoothing out the surface of the otherwise-rough water and turning shoreline waves into transparent mist. I was also working with a different sort of light than that which I would usually seek out here. More often I look for soft light, produced by some overcast, an early/late hour, or even fog. But it was very clear on this mid-morning visit and the light falling on the rocks was somewhat stark and harsh, especially when I shot almost into the sunlight. It seemed to me that the edginess of the brightly lit rock might be a counterpoint to the softness of the long-exposure blurring of the water. Obviously, I also went with black and white here. Also, a bit unusual for me, I worked with an ultra-wide angle focal length, getting quite close to the foreground but letting the distant subjects be small and accentuating that by placing the horizon very close to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.