Tag Archives: blue

Blue Shed, Evening

Blue Shed, Evening
Blue Shed, Evening

Blue Shed, Evening. Near Vallejo, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A metal-walled blue shade beneath an abandoned industrial building in “blue hour” evening light, near Vallejo, California

This photograph belongs to a genre that might be called Almost-Night Photography. I was at this location to do night photography, in fact, but for once decided to also try shooting the area a bit before the daylight disappeared. So perhaps 45 minutes before sunset I stopped what I was doing (eating pizza, actually…) and drove around a bit looking for “golden hour” photograph opportunities in this abandoned industrial area. I started a good distance from the location of this shot and did my sunset shoot in a more open area full of run down and falling down ruined buildings. After that I headed back towards an area of less-dilapidated but also virtually abandoned buildings.

So I arrived here a bit after sunset as the so-called “blue hour” light was coming on. The structure was open to the west where the post-sunset sky was visible over San Francisco Bay. Some clouds near the horizon still had the bright and orange-yellow colors of sunset, but the larger part of the sky was transitioning toward deep blue. As a result, any place in this image that was in shadow was primarily illuminated by the very blue overhead sky, while the upper windows of the taller building still reflected some of those last bits of color, though they were distorted by the uneven arrangement of the windows to create interesting patterns that are perhaps better seen in a larger presentation of the photograph. There are three buildings in the shot. The foreground round-roofed shed seems to be some sort of storage or work space that might have been added later. Behind that and to the right is a lighter-colored building that seems like it might have held some offices or similar facilities. Beyond that are the mostly glass walls of a very large industrial building that seems to be at least a full block long. These giant old buildings intrigue me in many ways, but the number of windows seems remarkable. I assume that they were designed this way so that people could work inside with little or no supplemental electrical light, and the interior spaces of such buildings can contain beautiful light during the day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze
Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountain ridges in pre-dawn “blue hour” light rise above Death Valley and recede to highest peaks in the distance

On this April 2013 visit to Death Valley I encountered some very challenging light situations. What you hope for on an early morning like this is beautiful, colorful dawn light, perhaps preceded by a warm pre-dawn glow and followed by bright morning light. But when it came to beautiful early morning light – and evening light, too – I got precious little of it this time. On two mornings a thin overcast and atmospheric haze pretty much killed the dawn light. On one other morning I got some light, but still had to deal with the haze. The clouds were with me on a couple of the evenings, too. I have sort of learned to pretty much go with this flow and accept that difficult light as the balance in the universe that gave me, and will give me again, astonishingly beautiful light.

However, even in such light I try to see what I can find to shoot, and sometimes it provokes me to see things that I might otherwise have overlooked completely. On this morning I was up well before dawn and I headed off to a specific location that I had scouted earlier. I had two possible sorts of photographs in mind for this spot. One involved the view back down and across the main valley, and the other was planned around the arrival of first light on these rugged and stratified hills along the west side of the valley. I got to my spot, was relieved to find that the air was fairly still, and I settled in to wait for the dawn… which never quite came. It was so murky and the light was blocked by so many clouds to the east that I wasn’t even really quite certain when dawn occurred. Things got lighter… but remained hazy. I made this photograph at a moment when, on a clearer morning, these hills might have begun to assume a warm colored glow from light in the eastern sky. But this time it was all blue. The hazy sky was blue, and the mountains were as well. Since the conditions were somewhat unusual, I went ahead and made some exposures. When I first looked at the results I wasn’t very thrilled. But as I looked at them more, especially at very large sizes, I began to appreciate the softer and lower-contrast lighting and the way that details in the formations of the mountains actually become quite visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway
Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway. Big Sur Coast, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Pacific Coast Highway winds along the rugged California Big Sur coastline at Bixby Bridge

This is a pretty classic view of the California coastline, including a well-known section of the Pacific Coast Highway (route 1) below Monterey in the northern section of the Big Sur coast. Shot from high on bluffs above the ocean, where the highway climbs to one of its high points, the photograph looks north up the coast across pastureland on the foreground bluff towards the famous Bixby Bridge, located in the surf-filled cove just beyond. More bluffs and ridges dropping to the sea fade into the distant haze beyond that.

This was a beautiful spring day, so I got up very early and was in the Monterey area as the sun came up. The conditions were not quite what I expected. I knew that it was supposed to be windy, so I was expecting very clear conditions. The sky was clear of clouds, but there was quite a bit of low atmospheric haze – it almost looked like it wanted to be fog but couldn’t quite get it together to form clouds. This light does difficult things to colors, but it also creates an interesting contrast between the relatively clear closer objects and further subjects desaturated by the haze. It was also windy – very windy by the time I stopped shooting late in the morning.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.