Tag Archives: boulders

Dawn, Fog, and Frost

Dawn, Fog, and Frost
“Dawn, Fog, and Frost” — Dawn fog drifts above frost-covered landscape at Tuolumne Meadows.

During most of the summer months, after the snow clears out (usually) by June, this meadow is a green place, often sunny, warm and inviting. I’ve been known to wander out into it and sit on the banks of the river or perch myself on a rock to admire the view. But as summer ends and autumn approaches, things change — the meadow becomes dry, temperatures begin to moderate, and before long it is clear that the brief summer season is ending.

This was one of those “autumn is coming” mornings. I arrived to find low fog drifting above frost-covered ground. I had to work quickly as this kind of fog usually doesn’t stick around for long, and the frost would melt when the sun rose. But for a few moments in this predawn light, it truly felt like winter in this meadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest, White Drin River

Forest, Whie Drin River
“Forest, White Drin River” — A person stands next to the White Drin River under a forest canopy, Kosovo.

The White Drin is a branch of the Drin River that drains Kosovo and parts of Albania — this portion begins in the mountains along the western side of Kosovo. Some regard a waterfall a bit further up the river from here as its source. This scene is along the popular walking route to that fall.

While many of my landscape photographs exclude people, it seems appropriate to include one (and more, if you look closely) here. This location, not far from the town of Peja (or Pec) is extremely popular. The place was crowded when we visited, with families walking the route and in places trailside vendors.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Boulders, Tuolumne Meadows

“Boulders, Tuolumne Meadows” — Large granite boulders strewn across Tuolumne Meadows.

This is another of those locations that are best photographed very early or very late in the day, and preferably without the distraction s of large groups of photographers. It was evening, and I drove to Tuolumne Meadows from my camp to look for quiet light on meadows, boulders, and domes.

The Meadows are beautiful in the late-day light, which softens and can turn golden. Here a pile of large rocks, almost certainly glacial erratics, dominates the scene, and light from the setting sun comes from just outside the camera’s frame. In the distance we see peaks of the Cathedral Range.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Canyon Bend

Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.