Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.
The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.
Black and white photograph of weathered and dilapidated building exterior wall along the Peter Macciarini Steps, San Francisco.
This is another in a small series of photographs I made of the old, weathered buildings along these very steep sidewalk stairs in San Francisco. In this case I decided to go with black and white since it seems to me that the main interest in the image would be the shapes and forms rather than colors. (Though the color images has a certain appeal, too – the colors are very subtle and almost all in the “tan” range except for a bit of reddish brick, a couple of small colorful stickers on the wall, and the nearly gray concrete.)
I had seen other named stairways elsewhere in San Francisco, but was unaware that this one warranted a name. A web site with information on this and other stairways in SF points out that the city has a history of naming some of its ugliest streets and other features for famous people. This one, despite having a kind of gritty urban charm, seems to fit the mold.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A man descends sidewalk steps past dilapidated buildings with exterior duct work in San Francisco, California.
On a day when my wife was rehearsing in SF and my son needed to do some packing in his apartment… I took this as an excuse to take the (very) early train to the City and wander around shooting on the street until mid-afternoon. A started shooting near the Caltrain depot at about7:00 a.m., wandered up the Embarcadero, heading into the North Beach area, backtracking though the less-touristy part of Chinatown, and finally descending (in more ways than one) to the shoreline at Fishermans Wharf and Pier 39 (ugh) before wandering back up near the ferry building to catch BART to meet up with them.
I made this photograph in an area that seems to me to be sort of on the fringes of Chinatown. The first thing that caught my attention as I passed by on a cross street was the crazy bunch of ducts and other stuff attached to the outside of this building. I wandered up the other side of the street to shoot this straight on, and was doing so when this man helpfully wandered through the frame – which was just what I was hoping for.
On another note, last week I saw some impressive photographs by a person who will remain nameless. The images were largely urban/street work, and included some really interesting photographs of people. But as I looked at the work it occurred to me that part of what was catching my attention was that everyone had seemingly been given the same formulaic treatment in post, likely consisting mostly of a Gaussian blur overlay and some strong vignetting. As an experiment – and partly to confirm my suspicions – I took this image through the same process and with about 10 minutes of work had achieve “the look” of and edgy, saturated, and dark-looking image. But I was left in a bit of a bind. On one hand, it seems cheap to apply a formula in this way, especially when it is so straightforward. On the other hand, it does have a certain appeal…
The version I settled on here eschews that bit of work in post and is more of a “straight” photograph of the scene.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white night photograph of pipes, shadow, and a brick wall at the historic Mare Island Naval Ship Yard near Vallejo, California.
This is an example of the sort of thing I was looking for during my night photography shoot near the end of May at the historic Mare Island Naval Ship Yard near Vallejo, California. The place is well-known among night photographers for its interesting and impressive abandoned (mostly) structures, some of which are very old. The most striking subjects for most shooters involve the massive ship yard equipment that towers above old brick factory buildings. I’ve made my share of photographs of those wonderful subjects!
But on this visit I resolved to not shoot the familiar large buildings and structures, and to instead look for odd little vignettes of the place that I had overlooked in the past. This pipe standing against a brick was was actually hard to really see in the very dim artificial light in the alley where it is located, but I thought that the pipe and its shadow on the brick wall might be interesting. At the time I made the exposure I wasn’t certain if it would end up being black and white or color, but after working with it in post I’m happier with this monochrome version.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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