Two photos today! Photographer Rebecca Jackrel (Adventures Through the Lens) points out that today is the birthday of the Golden Gate Bridge, which was opened on this date in 1937. Since I have a few photos of this icon lying around I thought I’d repost one of them to celebrate. (More information about this image in the original post)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A natural bridge in front of manmade Rocky Creek Bridge along the Big Sur Coastline, California.
This scene is becoming a sort of personal icon in my photography of the California coastline. I have made a couple black and white photographs of the location that are among my very favorite photographs, but I’ve been meaning to work on a color photograph of this spot. There are at least three general conditions in which this spot gets what I regard as interesting light: fairly early morning when the light slants down toward the ocean from over the coastal Big Sur hills, late afternoon in warm light, and during various types of cloud and fog conditions. This version is from the first of these – photographed relatively early in the day when portions of the scene are backlit but some light hits parts of the scene directly after the sun rises above the tall mountains to the east.
Believe it or not, I still don’t think I’ve fully worked this scene – and I have several other ideas of how I would like to shoot it when the conditions are just right.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Rugged and eroded terrain near the entrance to Natural Bridge Canyon in morning light at Death Valley National Park, California.
Natural Bridge Canyon is located at the foot of the Amargosa Range Black Hills just a short distance north of the popular Badwater area. As is typical of many of the canyon entrances in Death Valley, the approach is by leaving the main road paralleling the edge of the Valley and driving up a large alluvial fan on a gravel road towards the hills. The road ends and the canyon quickly narrows.
This photograph was made along this gravel approach road and shows a bit of the fan in the foreground, the cliffs alongside the was in the middle distance, and beyond that the convoluted and colorful strata of the lower section of the mountain range, here with low-angle back light from the morning sun coming from the other side of the mountains. This photograph also shows something that I found remarkable on this visit, namely the incredible profusion of plant life that was coming to live in the wake of some unusually heavy rain fall earlier in the season. During normal years and during most of the year even in wet years you’ll see almost no green at all on terrain like this aside from a few small and isolated bushes. But on this late-March visit there was plant life springing up everywhere. When I looked closely I could find a fringe of green almost everywhere. Here, not only is there obvious growth in the gravel of the wash at the bottom of the frame, but there is a fringe of green along the edges of the cliff and even in the far distance on the higher slopes.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A hiker pauses below the bridge in Natural Bridge Canyon, Death Valley National Park, California.
I visited this canyon and its natural bridge on my late-March visit to Death Valley. The Nature Bridge canyon is located just a bit north of Badwater, and after a short drive up the alluvial fan to the trailhead it is an easy hike up an impressively narrow and deep canyon to the large, blocky bridge. I like to save the canyons for mid-morning or late-afternoon shooting, since the light here can actually improve a bit further away from the sunrise/sunset edges of the day – the direct light is block by the tall canyon walls.
This canyon is narrow, but not as narrow as some of the other popular canyons with trails such as Mosaic Canyon, in which there a spots where two people cannot pass. Compared to that this canyon is much wider in most spots, perhaps 20 feet or more in places. Nonetheless the vertical and tall walls of the lower section of the canyon block out most of the sky and give a feeling of being somewhat closed in.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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