A boy walks up a steep sidewalk past iconic though dilapidated San Francisco buildings.
Shot in not the absolute greatest neighborhood of San Francisco – but not the worst either. Initially my main subject was this very narrow and very worn looking building – a typical San Francisco structure. I also liked the very muted color palette of the scene – most browns and tan with abit of white and some gray from the sidewalk and street in the foreground, with everything lit softly – no direct light – by the open sky and reflections from buildings on the sunny side of the street. Of course, I wanted a person in the frame, and I quickly spotted this young fellow walking briskly up the hill. A small detail: I like the way that the angle of his back is parallel to the one spot of red color on the wall above him and to the fire escape ladder higher up on the front of the building.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The corner of a brick building at the intersection of Ferry and Nimitz Streets catches glow from nearby outdoor lights – Mare Island Naval Shipyard, Vallejo, California.
This is another photograph from my late-February night photography shoot a the historic Mare Island Naval Shipyard with The Nocturnes. The panoramic format image shows the corner of one of the brick buildings along Nimitz Avenue near the waterfront at Ferry Street. I’m almost always a sucker for old brick buildings, especially when photographed at night, but a few other things in this scene caught my attention. The right side of the building fronts that “main” roadway of Nimitz Avenue and is more brightly lit by street lights and security lights, while the left side is more in shadow and here is lit mostly by the light of the full moon. I was also intrigued by the contrast between the angular vertical and horizontal forms of the brick wall and the odd curving shape of the cable snaking up the side of the building in the center of the frame. I also noticed the glowing windows along the dark side of the building – the interior walls are picking up light coming in through the windows facing Nimitz Avenue. I also like the tiny bit of contrasting green color in the “Ferry St” sign.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A very old and dilapidated garage with hand-painted sign along Virgil Street in the Mission District, San Francisco, California.
Believe it or not, this is street photography.
I know it looks more like scene from an old farm perhaps, featuring the worn doors of the barn or a storage shed. We can imagine that it sits along a pasture or near the farmhouse, and the bit of green might suggest unseen springtime growth nearby. But it was actually photographed in a narrow and very urban alley in San Francisco’s dense and busy Mission District. It was shot “street style” with a handheld camera equipped with only a 50mm prime as I wandered around on foot.
I had seen this garage and pair of doors many times before, and I had thought about photographing them. However the scene never quite seemed to work as a photograph. But on this day two things came together and provoked me to make a few images. First, the light was very interesting. It was a cloudy day, but occasionally the clouds would thin or almost part enough to let in brighter but still diffused light – and that is the light that I used to make this exposure. Second, the little bit of new plant growth (OK, it is a weed) lends a bit of color contrast and life to the scene.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.
This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.
I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.
Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!
Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.
Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 90 seconds
keywords: powerplant, building, structure, railroad, avenue, street, track, asphalt, sky, dark, night, photography, star, trail, color, light, yellow, red, blue, smoke, stack, cyclone, fence, brick, glow, panorama, panocturnes, minsy, san francisco bay area, window, antenna, vallejo, california, usa, north america, mare, island, naval, shipyard, stock
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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