Tag Archives: coastal

Redwood Forest Floor Foliage

Redwood Forest Floor Foliage
Broadleaf starflower and redwood sorrel in the deep shade of a Northern California redwood forest.

Redwood Forest Floor Foliage. © Copyright 2021 G Dan Mitchell – all rights reserved.

Broadleaf starflower and redwood sorrel in the deep shade of a Northern California redwood forest.

There is a route in Redwood National Park that surprises me — because there is hardly ever anyone there, even though it dead-ends in a beautiful forest of old growth trees near an intersection of several trails, in a place with many interesting things to see. I visit the spot every time I go there. Perhaps the small number of visitors is due to a lack of named icons, the out of the way location, and not a whole lot of publicity. My first visit was an accident — a moment of “I wonder what is up that way?”

The last time I was there it was midday, not necessarily the ideal time to photograph in the forest. The redwood forest is often quite a dark place, and little sun manages to find an angling path through the trees to reach the ground. But in the middle of the day the sun does make it to the forest floor, and the great contrasts between shadow and light are a challenge. On this visit there were scattered clouds passing above the forest, so I found my compositions and then waited patiently, eyeing the sky for the next cloud that might soften the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Grove, Humboldt Redwoods

Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bluffs, Surf, and Haze

Bluffs, Surf, and Haze
Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

Bluffs, Surf, and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

The scenes like this one that I photograph, visit and revisit… the more clear is the contrast between their timeless nature and the way we live our lives. This photograph comes from over almost a decade ago — which either feels like a very short time or a very long time right now — but it could have come from virtually any time in the past. There’s nothing obvious in it to link to any particular time.

The scene likely feels familiar to anyone who lives near or visits locations where coastal flatlands run up against the edge of the continent. The sea eventually wins the inevitable battle, and in the process produces a stark contrast between gentle, flat bluffs and the cliffs at their edges, which drop precipitously into the ocean and leave behind sea stacks and small islands. On this evening the sea was rather quiet and a thin fog was beginning to obscure distant views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.