Tag Archives: cracked

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Wall Warrior

Wall Warrior
A weathered figure on a Paris wall.

Wall Warrior. © Copyright 2019 G Dan Mitchell – all rights reserved.

A weathered figure on a Paris wall.

Today I take a detour towards the whimsical, in the form of a figure found on a a wall in Le Marais, in Paris. It looks like an anime character to me, but I’m not super familiar with those “folks,” and a quick image search online didn’t come up with an identification for this one.

I saw quite a few of these examples of paper street art glued to walls in Paris and in other places in Europe. Oddly, I never saw a fresh and undamaged example — those that I saw ranged from mildly weathered to nearly gone. For me, part of their charm lies in the weathering away of the material.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone and Canyon Mud

Sandstone and Canyon Mud
Cracked mud at the bottom of a narrow Utah sandstone slot canyon

Sandstone and Canyon Mud. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cracked mud at the bottom of a narrow Utah sandstone slot canyon

For various reasons I found myself looking back into my archives of older photographs this week. In one case someone asked about a particular subject and I thought that I could find the answer in the form of a photograph. In another I wanted to use an older image to illustrate a point. Sometimes when I go back to the old raw image files one thing leads to another and I’m off on an exploration of forgotten work. And, quite often, as I do this I “rediscover” photographs that I had originally left behind for one reason or another.

This week’s dive into the past took me back about four years to a wonderful trip to the Southwest. I had several weeks to wander. I started in the Kanab area, worked my way up to Capitol Reef to meet a photographer friend, then joined with a group of photographer/friends to spend several days camping and photographing in a remote area. I emerged from that backcountry trip to spend a night in a wonderful lodge in Boulder — what a shock that was! — and then headed west to join my family in the Zion area. I made this photograph early on the trip. I decided to explore a new area which I knew to hold some well-known features. I drove into the area, found a place to park at a likely looking trailhead, shouldered my pack and headed into a large wash, eventually entering a section of beautiful slot canyon terrain, with much from recent rains still covering parts of the canyon floor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dry Mud and Sand

Dry Mud and Sand
Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

I almost titled this photograph, “Another Photograph of Mud.” But I have resisted that temptation, and once again used a simple more or less objective title. But, indeed, this is almost a photographic type when it comes to the Southwest, and one that is awfully difficult to pass up. These formations come about when silt-laden water rushes down desert canyons, washes, and streams, leaving behind a layer of very wet silt. The layer may be thin, as it was in this case, or it may be quite thick. In one narrow canyon last year I slipped into such silt-mud and it almost seemed like there was not bottom!

I’m not sure quite what explains our fascination with these formations. Is it because they are among the most transient features of the physical landscape, disappearing and then reforming every time it rains? Is it the patterns themselves, which can have a wonderful geometric quality and, at the same time, embody a randomness? Is it the combination of the colors of the material, which can range from white through black with many colors in between, and the reflected canyon light? Possibly it is all of these things and more.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.