Tag Archives: death

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Pool, Panamint Range, Morning

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Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Sky Reflected in Desert Stream

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Morning Sky Reflected in Desert Stream
Morning Sky Reflected in Desert Stream

Morning Sky Reflected in Desert Stream. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of water from a salt spring reflecting cloudy morning sky above Death Valley.

Moments before I made this stark and, I think, desolate photograph of the shallow stream from a salt spring flowing slowly over the flats of Death Valley and reflecting the light from morning clouds, the Panamint Range mountains at the left side of the frame had been briefly lit by colorful sunrise light. But this light lasted only a couple minutes and shortly everything went largely gray.

The patterns of the very shallow and slowly flowing water as they spread out across the flats and reflected the light from the cloud filled sky intrigued me as soon as I arrived at this location. But before I made this photograph I had taken a different approach, positioning the camera down very low and very close to the water so that its reflective surface filled a larger portion of the frame and then lining things up to catch the first light on the Panamints and its reflection. But when that passed so quickly, it seemed like the flat and gray effect could also make an interesting photograph. When I made the exposure I wasn’t quite certain, but I think I was leaning towards a black and white rendition of the scene. Frankly, there wasn’t a lot of color to work with! The sky was mostly clouded over, though there was a hint of faded blue in a few spots. Any color in the Panamints was muted by the distance and haze. The mud is essentially gray and white (where salt has formed) and the water held less color than the sky!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Zabriskie Point Badlands, Morning Snow on the Panamint Range

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Zabriskie Point Badlands, Morning Snow on the Panamint Range
Zabriskie Point Badlands, Morning Snow on the Panamint Range

Zabriskie Point Badlands, Morning Snow on the Panamint Range. Death Valley National Park, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light on fresh snow on the summit of the Panamint Range with Zabriskie Point Badlands in the foreground, Death Valley National Park.

After getting being frustrated by falling snow earlier in the morning when I tried to photograph dawn at Dantes View I headed back down to lower terrain. (Although I was not successful in photographing at Dantes View and, in fact, turned back before the summit in dense clouds and falling snow, it was quite an interesting visit!) I stopped along the way and made some photographs before arriving at Zabriskie Point.

At this point I no longer reflexively photograph at Zabriskie, though I will if something special or unusual is happening with the conditions. Having been frustrated in my original plans, I figured I might as well take a look around since I was there. I left the camera gear in my car and walked up the hill to the famous overlook to see what I could see. The dawn light – if there had even been any on this cloudy morning – was long gone, though a few photographers were still hanging out. As I looked about I noticed two things. First, the clouds were just beginning to thin over the Panamint range. While the summit of Telescope Peak was still socked in – it appeared to be snowing there – light was beginning to break through gaps in the clouds above the east side of the range and interesting shadows were appearing below the snow line. Second, the partially cloudy conditions were softening the light right in the Zabriskie/Gower Gulch area and the light in some of my favorite small gullies to the right of the observation area was looking somewhat interesting. (I have made a project of photographing them with a long lens.)

With no other specific plan, and two potential subjects right here, I followed one of those “laws of photography” that says shoot the thing you see now rather than continuing to wander around hoping that some other miracle crops up. (Sometimes this is great advice. Other times it is dead wrong!) I walked back down the hill to my car, grabbed my gear, and walked back up. I first spent some time photographing the nearby gullies. (I think I have a couple of interesting images of them that will appear here eventually.) But I quickly turned my attention to the interesting weather and light across the Valley, thinking about how I might photograph this wild and rugged scene without making it look like another Zabriskie Point image. I decided to use a relatively long focal length lens – which was already on the camera for shooting the gullies anyway – and try to fill the entire frame with a combination of close and far mountains and snow and clouds in the morning light.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Remains of a Desert Plant, Pebbles

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Remains of a Desert Plant, Pebbles
Remains of a Desert Plant, Pebbles

Remains of a Desert Plant, Pebbles. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

The skeletal branches of a dead plant against the pebbles of a desert wash, Death Valley National Park, California.

I came across the skeletal remains of this desert plant while photographing along the east side of Death Valley near the area identified on some maps as the Kit Fox Hills. I had just finished photographing across the floor of the Valley, capturing an area full of sparse desert plants backlit by the very last rays of sun, and the light had diminished after the sun dropped below the tops of the ridges on the west side of the Valley.

I saw this bit of dead plant near the edge of a wash among the rubble of many-colored rocks and pebbles that had, I presume, been washed down from the canyons in the mountains to the east. For a place that seems so colorless from a distance, there is an astonishing variety of color in these rocks. I can see greens, blues, various shades of pink and purple, and some that almost are orange. The branches are just as I found them, and the soft light with just a bit of directionality from the right fills the shadows that would otherwise be very dark.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.