Tag Archives: distant

Dark Terrain, Evening Light

Dark Terrain, Evening Light
“Dark Terrain, Evening Light” — Evening light and distant clouds above scattered desert plants growing on dark soil.

On this afternoon we decided to make a late run toward the northern end of Death Valley to photograph a particular feature. We perhaps got of to a slightly late start, but the light was still interesting as we approached. Nearby there is an area of very dark soil (which I assume may have volcanic origins) with very sparse plants. I’ve tried to photograph it before but with limited success. There was lovely cloud-dappled side light when we passed so we stopped to photograph.

The plan was for a brief stop before continuing to our planned destination while the light was good. But “the best laid plans” and all of that… Once I wandered into this spare landscape I found more and more interesting things to photograph — the plants on the rolling hills, tiny wildflowers just poking up through the soil, small playa-like areas of dried mud, and more. Before long we noticed the sun dropping behind nearby mountains… and by the time we got to our planned destination the light was fading.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Window Formation, Desert Mountains

Window Formation, Desert Mountains
“Window Formation, Desert Mountains” — Desert mountains beyond a teardrop-shaped window in a rock wall, Death Valley.

Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.

The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Distant Mountains, Reflection

Distant Mountains, Reflection
“Distant Mountains, Reflection” — Manly Lake reflects distant mountains and morning haze.

The scale of Death Valley is monumental. It is one of the few National Parks where you encounter distances so great that faraway features disappear into the light and haze. The absence of familiar reference points like trees makes it harder to comprehend these distances. It is perhaps a mile to the nearby hills in this photograph, but the distant mountain range is many tens of miles away.

We arrived before sunrise to photograph the colorful dawn light. Later I turned my camera away from the main scene and back toward these hills whose forms were reflected in Lake Manly. Beyond, the distant Amargosa Range glows softly through the haze in the early morning light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manly Lake, Mountains and Clouds

Manly Lake, Mountains and Clouds
“Manly Lake, Mountains and Clouds” — Distant desert mountains and clouds reflected in the surface of Manly Lake, Death Valley.

Lake Manly, the ancient body of water that occasionally reestablishes itself on the floor of Death Valley in wet years, has many moods. Before sunrise or at sunset, if there are clouds, it can reflect intensely colorful light from the sky.. As sunlight strikes the peaks of the Panamint Range, their golden light colors the water. Later in the day, especially if it is hazy, the scene can become soft and pastel.

On this winter solstice morning we began photographing before sunrise and continued through all of the light phases. I made this photograph after the warm sunrise light had dissipated, and when haze made blue the predominant color. The symmetry of the reflections abstracts the shapes of mountains and clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.