Tag Archives: evening

Lake and Shoreline, Evening

Lake and Shoreline, Evening
Lake and Shoreline, Evening

Lake and Shoreline, Evening. Sequoia National Park, California. August 2, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Evening light comes to a remote alpine lake in the Sierra Nevada backcountry.

I made this photograph from more or less our campsite on a backpacking trip to this remote area of the upper Kern River drainage in the southern Sierra Nevada back in 2010. It was a trip that combined the familiar and the new, that took me to a spot that I had first thought of visiting decades before, and which provided some surprises. The first few days of the trip covered familiar ground over a couple of high passes and dropped us into the upper Kern on the John Muir Trail. At this point we left the JMT and followed less traveled routes for the remainder of our visit.

Our first departure from the JMT was to head south of northwest into the upper Kern’s more remote areas. We were not so far out on the fringe that there were no trails, but the trails were clearly not well used and we saw very few people. The area is not easy to get to nor is it really on the route between other major points, so those that go there pretty much just go there. Eventually we worked our way over towards the foot of the Great Western Divide, to an area full of intimate meadow/rock landscapes and small lakes. Here we found a beautiful campsite that gave no hints that it had been occupied before. I’m sure it had been, but it is unusual to find such a place in the Sierra that is visited so infrequently that there are not obvious signs of the previous visitors. We set up camp, engaged in warfare with marauding mosquitos, wandered about a bit, and settled in to watch the day come to an end.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Light and Talus Slope

Sunset Light and Talus Slope
Sunset Light and Talus Slope

Sunset Light and Talus Slope. Kings Canyon National Park, California. July 30, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Sunset light on a tree-covered peninsula as a steep talus slope falls into evening shadows

This photograph from the first evening of a week-long 2010 southern Sierra backpacking trip reminds me of many things, but at the moment I’m recalling a particular feeling that often comes on the first night on the trail, and which is one of these moments that marks the transition away from the other world to the magical world of the backcountry. Arriving at the start of a long backcountry trip requires a fair amount of planning that begins well before the trip. Often months before (those sometimes on the previous weekend!) a plan is hatched and a group of people assembled. Soon dates are set and an itinerary comes together. As the date approaches, we collect gear together and begin to pack and make the plans for our absence. The process accelerates as the day approaches and soon we are on our way to the mountains, often arriving at a trailhead came the night before, where the familiar sensations and rhythms begin to return.

The next morning we are up early, packing away the things we brought for that first campground night and paring down our possessions to only those things we’ll carry on the trail. We tear down camp, check and double-check gear, fill up water bottles, lock cars, head to the trailhead for the inevitable photo by the sign… and we are off. The first point of breaking away (once again!) is at this moment when we start up the trail, but in some ways this is often the beginning of a mental transition that will last all day as we again become accustomed to life on the trail. We climb, we stop to filter water, we eat our first of many trail lunches, the climb becomes harder as we watch for the pass up above. Eventually we reach that pass, where we stop and sit for a while, looking into the world where we’ll spend the next few days or week(s), then we head down the other side of the pass, an act that always seals the feeling of commitment to the trip. We arrive and set up our first trail camp, once again putting specialized equipment to use, remembering just how we set up that tent and operate that stove. Then, once all these tasks are complete, we find what we came for — there is nothing left to do. So we do nothing. We walk slowly around the lake, make some photographs, sit on a rock, and quietly watch the last light on a tree-filled peninsula beneath shadowed talus slopes.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Story in Red Rock

A Story in Red Rock
A Story in Red Rock

A Story in Red Rock. Utah. October 23, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Broken rocks spread across a layer of sandstone in evening light

This is another photograph from my first evening on this trip in this particular part of Utah, from a day when I had met up with friends and traveled out to find a campsite where we would stay for the next few days — our base camp for exploring red rock and canyons and for sharing meals and conversation. After setting up camp and settling in, we headed out for our first evening of photography, and would up in a nearby landscape of sculpted sandstone.

We began shooting mostly together, finding and exploring some obvious and quite impressive subjects — each working on his or her own photographs but staying mostly in a group. Eventually we began to split up and wander off to do our own individual exploration. Later in the evening I ended up in an area of massive sandstone benches and ridges and potholes, and as the dusk came on and the light turned red/burgundy I was above a small sandstone canyon descending toward the sagebrush country below. This is a simple scene, but I like to think about a few secrets that it may reveal. It is easy to see such landscapes as being static, but the fact is that they are always changing, though mostly on a time scale that is much longer than that of our lives. But occasionally there are obvious clues, and here the clearest is the scattering of fractured rock that has failed from the seemingly solid face in the upper part of the scene, a hint about how it came to be that the lower flat surface runs into the upper wall.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Potholes, Dusk

Potholes, Dusk
Potholes, Dusk

Potholes, Dusk. Utah. October 23, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light on the curving pothole forms of Utah sandstone

The grand landscape is a wonderful and impressive thing, but a bit of dusk light on curving rock can evoke the fundamental qualities of a place. This was my final photograph of the day, made just before there was no longer enough light for the kinds of photograph I had in mind, and as it was about to become to dark to find my way out of this landscape. Earlier I had begun by photographing subjects that were perhaps more clearly specific to this location, but as I continued to photograph and as the light changed I made photographs that I think are less about the particular location and more about the feeling of such places.

The light was tricky on this evening. There had been sunlight earlier, and at times it had been the beautiful soft yet direct light of the sun coming through high clouds. But it has also been very muted at times, as the clouds became thicker, producing the a kind of flat and colorless light that is challenging. But earlier clouds can lead to later sky color as the sun drops near the horizon and lights up these same dull clouds from underneath. As I finished with some of the more obvious photographic subjects I began to look at the patterns and colors of the rocks as possible subjects of more abstract images, and it was at about this point that the sky opened up for a few minutes, producing light with colors ranging from yellow to red to burgundy. I made this final photograph of the evening as the tempo of the work slowed in luminous twilight, and this light combined with the natural color of the sandstone to produce intense and saturated colors on the sinuous shapes of the rock. A moment later we all realized that it had become quite dark, that we had not brought headlamps, and that we had to negotiate some tricky terrain in order to get back to where we started!


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.