Tag Archives: evening

Photographs: Architecture, Photographs: New York City, Photographs: People, Photographs: Structures and Objects, Photographs: Urban/Street

Man Sitting on Landing, Brick Wall

August 28, 2011 G Dan Mitchell 4 Comments

On a warm New York City evening, a man sits on the landing of a metal stairway on the exterior of a brick building.

We decided that we would visit the High Line Park in Chelsea early in our recent visit to New York City. Recalling some wonderful evening and sunset light at the park during last year’s visit, we had something like that in mind again on this visit… but that is not quite how it turned out. Although it had been sunny earlier, when we arrived at this location late in the day we could see very dark clouds building over on the New Jersey shoreline and beyond. Even though it was at least an hour and a half before sunset the light was dimming quickly, and we began to see large flashes of lightning in the sky to the west.

While the anticipated warm evening light would have been nice – and was when we returned a few days later – the softer light of these overcast conditions provided some advantages, too. Shooting toward the setting sun, as I would have been doing in this shot, can be tough on the High Line – but this soft light allowed me to more easily handle what would have otherwise been a real exposure challenge at this time of day. Just as we approached this building, the man emerged from the curtained doorway and provided a focal point to the photograph of this wall.

He is looking back over his shoulder for a very good reason. A few minutes after making this exposure – or perhaps sooner! – the lightning began to flash and the thunder began to boom directly overhead. We decided that the elevated park was no place to be in an electrical storm, and we quickly found a way back down to street level as sprinkles started. By the time had headed a block to the east, looking for a place to eat, the wind began to howl and the skies let loose a tremendous downpour, forcing us to choose a restaurant on the basis of proximity rather than reputation!

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne Meadows Trees, Sunset

August 23, 2011 G Dan Mitchell 2 Comments

Trees standing at the edge of Tuolumne Meadows in sunset light, Yosemite National Park.

After first shooting in another location a few miles away late in the day – and being chased back to my car by the worst clouds of mosquitoes I have encountered in recent memory – I found myself with a bit of extra time at the start of the “golden hour,” so I headed up to Tuolumne to see what I could find involving trees and the meadows and perhaps some of the surrounding mountains as the day came to an end. It was not long before the light left the meadow when I arrived, so I kept my eyes open for any subject that might look good in this warm light. I spotted these trees right alongside the roadway, pulled over, set up my tripod, and made a few exposures just before the light started disappearing from the west end of the meadow.

To me, this image has virtually all of the elements that say “Tuolumne Meadows” – the scattered trees in the meadow, the golden evening light on the July grasses, rock outcroppings here and there, and the surrounding forest with higher peaks beyond.

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Photographs: New York City, Photographs: Urban/Street

High Line Park, Evening

August 21, 2011 G Dan Mitchell Leave a comment

Evening along the High Line Park as thunderstorm weather approaches, New York City.

This was a fun photograph to make and a bit of a challenge. I decided to shoot with just a 50mm prime as we walked the Highline Park in New York City, trying to keep things simple and shooting quickly and handheld. Our plan was to be there a bit more than an hour before sunset so that we could see and photograph the evening light. That didn’t quite work out…

About the time we started walking at the south end of the Highline we noticed a big electrical storm developing over the water in New Jersey. While the giant storm to our west spoiled our chances of sunset light, it created other interesting opportunities as the sky darkened. In fact, it becomes so dark an hour or so before sunset that hand held shooting was becoming difficulty, even at ISO 800, f/2 or f2.8 and as low as 1/15 second! But because there was still some light, as streetlights and other lighting came on there was still enough illumination to register the unlighted or less lighted areas – it was almost like doing night photography without the need for the tripod or the super long exposures!

This shot was handheld, probably at the lower end of the range of my ability to shoot this way, but there was enough light to still make the sky and buildings visible, yet give the appearance that the scene was largely artificially lit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.