Tag Archives: fall

Aspens and Evening Shadows

Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake, Dissipating Storm

Mono Lake, Dissipating Storm
“Mono Lake, Dissipating Storm” — An evening thunderstorm dissipates above Mono Lake on an autumn evening.

It is well understood that some of the most interesting landscape photography light comes at the edges of the day, around sunrise or sunset. When things work out just right, Sierra Nevada weather conditions amplify this light. During the summer months afternoon thunderstorms are not uncommon, and they often break up around sunset, allowing light from the west to dramatically illuminate and color the clouds.

I had been photographing in mixed light during the afternoon — sometimes it was clear, but at other times is was overcast. As the day moved toward sunset, I was passing along the west shore of Mono Lake as clouds dissipated and that western light turned the thinning storm clouds into a fiery cloudscape above the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspen Transitions

Aspen Transitions
“Aspen Transitions” — A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.

Photographers sometimes debate the “best” moment to photograph autumn aspen color. Some say it is when the first trees start to show golden color. Others prefer the stage where every color from green through yellow, orange, and red is visible. Then the green leaves fall and only the wild autumn color remains. But there’s also something compelling about the post-peak stage when leaves have fallen and stark white trunks are more visible. This photograph is from the “every color”stage. You can follow the “aspen color rainbow” from the closest green trees to intensely colorful trees farther up the valley.

This color range is not the only “transition” in this photograph. Aspens do not last forever — old trees die and new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the burned trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene. Perhaps they were burned in a fire years ago, but now they are almost obscured by the colorful new trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Big Sur Headlands, Fog

Big Sur Headlands, Fog
“Big Sur Headlands, Fog” — Morning fog on and early fall morning along the Big Sur coast.

You never can be quite certain of the conditions you’ll encounter along California’s Big Sur Coast. Ocean and continent boundaries are transitional zones, and conditions depend on which one dominates. On this visit I expected to arrive to clearing fog and broken sunlight on the coast. But, alas, it remained cloudy the entire time I was there. Fortunately, there are advantages to such conditions, too. The press of tourist traffic diminishes, and the coast can take on a quiet and moody quality.

I stopped at a high point where I rarely photograph these days, having been there so many times over the decades. When I do stop, it is often to use the vantage point to see if whales are passing by. No whales this time, but the headlands lined up to the north, gradually receding into the mist and haze, seemed pretty interesting — interesting enough to pull out the camera and make this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.