Sunset light illuminates trees on a rocky peninsula, reflected in the surface of alpine Upper Young Lake, Yosemite National Park, California.
This is one more and perhaps the last in the sequence of photographs made on a mid-September evening at Upper Young Lake. I mentioned in a previous post that I had walked up here from my campsite to photograph in the beautiful evening light, and after wandering about and making a few other photographs I finally decided to focus my efforts on this scene featuring tree-covered rocks at the end of a small, curving peninsula. I began shooting just as the “golden hour” time began, and continued until the light was quite dim… and I had to start heading back down what passes for a trail to my camp at a lower lake. This photograph was made at a point at which the light had really begun to warm up as the sun dropped toward the horizon, but before the very last (and very red) light.
A comment on why I have posted several photographs (four by now?) of more or less this same scene rather than selecting “the best” one… I’ve previously written about my reasons for posting daily photographs at the blog, which include practice and encouraging me to regularly take photographs all the way through at least an initial post-processing workflow. The latter gives me a better opportunity to get to know the different images, both as I work on them and I I consider them after posting. So, frankly, I don’t necessarily have a clear favorite at this point.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Early evening light on a tree-covered rocky peninsula at Upper Young Lake, Yosemite National Park, California.
I’ve visited these lakes almost annually for a number of years, since I first visited one autumn on a long day hike from the Tuolumne Meadows area. Many people visit the lower lake on day hikes, quite a few others backpack to the area and visit all three, and climbers on their way to Mount Conness also pass through the area. My plan was to stay several days so that I could do a lot of photography in the area. The upper lake provides a beautiful sub-alpine scene, surrounded by relatively level meadows with small hills interspersed with rocky rises and groves of trees. Because the area is open to the west there can be stunning evening light here… and that I precisely why I went to the lake on this evening.
I was camped at the lower lake, where I had photographed in the morning. After I finished up my morning photography I spent a good part of the late morning and early afternoon eating a post-shoot late breakfast, more or less hanging out, reading, doing a few camp chores, and finally having a very early dinner at about 3:00 – the plan is to eat the big meal of the day early, go off and do photography as the evening light approaches, and then return to camp after dark and have something to eat before climbing into the sleeping bag.
The route that I prefer to use to get to the upper lake is not really exactly a trail. Anticipating that I’d be returning from the upper lake via this route in near or actual darkness, as I climbed it I made sure to remember a series of landmarks that I could use to find my way back. At various junctures on the route – as I would do on any similar route – I stopped to look backwards and fix in my mind certain obvious route cues that I could follow on the way back: stay above the thicker trees, stay in the middle of the bench, cross the low rise while heading straight toward a certain distant ridge, begin the descent at the two groves of trees next to the lake, and so on. I was so focused on this that when I reached my final landmark at the upper lake I barely looked around – I arrived at the final grove and immediately turned right to walk the short distance to the lakeshore and look for compositions. At about this point I recalled that I also had planned to check out camping possibilities for a future visit, so I looked back up at the grove I had just left.
I saw a tent and two people and tripods – all of which I had completely overlooked at first, so fixated was I on my “route.” I walked back up to say “hi” when I noticed that one of the two photographers looked quite familiar. I approached and said, “You bear a striking resemblance to John Sexton” – which made a lot of sense in that he was John Sexton. (If you don’t know who he is… you should. Follow the link to his web site and perhaps do a bit of searching to find out more.) I have, of course, known of John’s wonderful photography for some time and I had most recently been to a lecture at the opening of a show of his work in Carmel earlier this summer. The other photographer was Anne Larsen.
The wilderness is always full of surprises, but meeting John and Anne in the Yosemite back-country was one of the most pleasant in recent memory. We spoke for a while until the light began to become more interesting, but at various times during the evening we again ran into one another and talked about this and that. The next morning I met them once again as we were heading back to the trail head. (I felt a bit guilty about my “tiny” 15 pound load of photography equipment – they were each carrying close to 30 pounds of film gear!)
The photograph is of a tree-covered rocky rise at the end of a narrow curving peninsula that forms a small lagoon near the outlet of the lake. My initial thought had been to photograph a small tree near the edge of the lake – one that I have photographed in the past – but John correctly pointed out that it would be in shadow at the time of best light, so I decided to focus on this subject instead.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A boulder sits in the still water of an unnamed sub-alpine lake in the Upper Kern River Basin as the sunset light streams over the Great Western Divide.
This photograph comes from a week-long pack trip with a group of friends into the southern Sierra Nevada, this year’s installment of our ongoing annual back-country trips. After crossing over 11,760′ Kearsarge Pass and then 13, 200′ Forester Pass we entered one of my favorite parts of the Sierra back-country, the high plateaus of the upper Kern River basin. This area is surrounded by peaks rising as high as 14,000’+ in almost all directions and the view is expansive because much of the area is a very high plateau with nearly level areas at and above 12,000′.
I have been in this general part of the Sierra many times, going all the way back to my college days when I came over Forester Pass for the first time. On this year’s trip we followed the usual John Muir Trail route down to Tyndall Creek and camped there on day 3. From here we decided to spend the next couple of days exploring a little-visited area to the west where the Kern River has its source and just below the impressive peaks of the Great Western Divide. The lake in this photograph is one of several beautiful but unnamed small lakes in the area in which we camped. Peaks of the Great Western Divide are beyond as sunset light streams between them.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Sunset on cloud-shrouded summit of Mt. Shuksan with Picture Lake in the foreground, Mt. Baker-Snoqualmie National Forest, Washington.
Icon alert! I understand that photographing Mt. Shuksan from this locale is, in the Pacific Northwest context, perhaps almost equivalent to photographing the Golden Gate Bridge from the Marin Headlands or photographing Yosemite Valley from Tunnel View. As a brand new photographer of Cascades Range subjects, I plead guilty to succumbing to this icon and photographing it. (I’m told that the only thing that this photograph needs in order to qualify for full “yet another photo of an icon” status would be to come back in a month and shoot it when the fall colors appear.)
My brother and I had been up higher photographing the Artist Point area for most of the afternoon, and he suggested that since we were here we might stop at Picture Lake on the way back down the mountain and see what might develop. I’m glad he did since, icon status aside, this really is a stunning and beautiful location and it was a quiet and beautiful evening. Several things made it special, I think. First, while the summit of Shuksan never fully cleared, the clouds shrouding the summit gave it a more dramatic aspect than might have been the case with an unobstructed view. Second, much to our surprise, we were not joined by a throng of other photographers. At first we were the only ones there, and later we only saw a few others in the area.
This was a technically challenging scene to photograph. The lake and foreground trees were in shadow at this point, though on the scene one could still see the details of the forest along and beyond the far shore. Yet the summit of Shuksan and the clouds were in full sun, and making this even more difficult, the red sunset light was extra intense. The eye can take all of this in without a problem as you move your focus from foreground to distant peak, but the camera is not as capable – and the dynamic range of the scene dramatically exceeds the capabilities of cameras. So, again, this photograph is a composite of three exposures manually blended in post to combine the best exposures of bright and saturated highlights with the best exposure of the dark forest along the shore of the lake.
Update on 9/29/10: I recently noticed that I had misidentified the lake in the photograph! I have corrected the post to call it by its correct name, Picture Lake.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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